Next book

ROLLING PENNIES IN THE DARK

A MEMOIR WITH A MESSAGE

A combative addition to the literature of the war on poverty.

Political writer and former White House and Pentagon official MacKinnon (Vengeance is Mine, 2010) recounts his poor childhood with alcoholic parents in a forceful commentary about poverty.

At age six, the author saved his parents from a candle fire (the electricity was, typically, cut off) by tossing a toy bucket of water over the burning mattress on which they lay in an alcohol-induced coma. At eight, he and his siblings were abandoned in a car to succumb to hypothermia while his parents waited out the snowstorm in a bar. By nine, he ducked a shooting rampage by his mother; by 13, he had been stabbed in a gang fight; by 17, his family had been evicted more than 30 times. MacKinnon addresses his pain in a raw voice, with little forgiveness for his criminally neglectful parents. The author eventually fought his way out of poverty and into college, crediting intervening relatives, supportive teachers, love of reading and writing, faith and determination to save his siblings and himself. MacKinnon takes great pride in the fact that he never fell into a life of crime because of his roots and has no sympathy for those who have, a view that dominates later chapters. As a writer for the Reagan White House and director of communications for Bob Dole, MacKinnon hit his stride and honed his stance on poverty. For him, poverty is a moral issue that can only be solved by a collective commitment by legislators to truly understand the experience. The “message” portion of the book would be stronger if he offered a more specific plan for making this happen, and the vitriol he engages in while condemning enemies of the poor (the liberal media and teachers unions) is off-putting. The emotionally and politically charged writing is repetitive and lacks the sophistication and poetry of similar childhood horror stories by Mary Karr and Jeannette Walls. MacKinnon’s powerful example is consistently fueled by his desire to help others and by his laudable perspective that individuals must make use of their gifts despite the odds.

A combative addition to the literature of the war on poverty.

Pub Date: Feb. 28, 2012

ISBN: 978-1-4516-0788-8

Page Count: 256

Publisher: Howard Books/Simon & Schuster

Review Posted Online: Jan. 8, 2012

Kirkus Reviews Issue: Jan. 15, 2012

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • National Book Award Winner


  • National Book Critics Circle Finalist

Next book

JUST KIDS

Riveting and exquisitely crafted.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • National Book Award Winner


  • National Book Critics Circle Finalist

Musician, poet and visual artist Smith (Trois, 2008, etc.) chronicles her intense life with photographer Robert Mapplethorpe during the 1960s and ’70s, when both artists came of age in downtown New York.

Both born in 1946, Smith and Mapplethorpe would become widely celebrated—she for merging poetry with rock ’n’ roll in her punk-rock performances, he as the photographer who brought pornography into the realm of art. Upon meeting in the summer of 1967, they were hungry, lonely and gifted youths struggling to find their way and their art. Smith, a gangly loser and college dropout, had attended Bible school in New Jersey where she took solace in the poetry of Rimbaud. Mapplethorpe, a former altar boy turned LSD user, had grown up in middle-class Long Island. Writing with wonderful immediacy, Smith tells the affecting story of their entwined young lives as lovers, friends and muses to one another. Eating day-old bread and stew in dumpy East Village apartments, they forged fierce bonds as soul mates who were at their happiest when working together. To make money Smith clerked in bookstores, and Mapplethorpe hustled on 42nd Street. The author colorfully evokes their days at the shabbily elegant Hotel Chelsea, late nights at Max’s Kansas City and their growth and early celebrity as artists, with Smith winning initial serious attention at a St. Mark’s Poetry Project reading and Mapplethorpe attracting lovers and patrons who catapulted him into the arms of high society. The book abounds with stories about friends, including Allen Ginsberg, Janis Joplin, William Burroughs, Sam Shepard, Gregory Corso and other luminaries, and it reveals Smith’s affection for the city—the “gritty innocence” of the couple’s beloved Coney Island, the “open atmosphere” and “simple freedom” of Washington Square. Despite separations, the duo remained friends until Mapplethorpe’s death in 1989. “Nobody sees as we do, Patti,” he once told her.

Riveting and exquisitely crafted.

Pub Date: Jan. 19, 2010

ISBN: 978-0-06-621131-2

Page Count: 304

Publisher: Ecco/HarperCollins

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2009

Awards & Accolades

Likes

  • Readers Vote
  • 25


Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating
Next book

INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

Awards & Accolades

Likes

  • Readers Vote
  • 25


Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating

The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

Close Quickview