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CRIMSON SHORE

Pendergast is a modern Sherlock Holmes, albeit one preferring absinthe to cocaine. The conclusion of this compelling...

Amid the salt marshes near Exmouth, Massachusetts, FBI Special Agent Aloysius Pendergast finds an antique medallion of Morax, a demon. Is there a connection to the deliberate sinking of the cargo ship Pembroke Castle by desperate town folk in 1884?

In Preston and Child’s (Blue Labyrinth, 2014, etc.) latest, renowned sculptor Percival Lake asks the weird and wily Pendergast to find his looted wine collection. Oddly, the thieves left behind a case of the rarest vintage, Chateau Haut-Braquilanges ’04. Intrigued, Pendergast and his ward, Constance, drive to seaside Exmouth, where they meet an incompetent police chief who’s overlooked a skeleton long ago walled up in Lake’s wine cellar. Pendergast discovers the hidden skeleton is linked to a missing suite of flawless rubies, the Pride of Africa. In the "lean winter" of 1883-84, featuring disastrous weather caused by a faraway volcanic eruption, townspeople doused the lighthouse and lured Pembroke Castle, carrying the rubies, aground. The grounding and what followed became an atrocity shadowing Exmouth history. Oenophiles will shudder as the wine theft turns sideshow after a historian tracing the shipwreck and a local attorney are killed. Both have "TYBANE" carved into their corpses. Those new to the series get no back story on Pendergast, not on FBI assignment in this case, or Constance, but the book is entertaining, spiced up with arcane words like "desuetude" and quirky descriptions—a body found with a crab "cowering in the comb-over." Employing Chongg Ran meditation and a Les Baer .45, Pendergast is an appealingly quirky hero, as when he remarks of Moby-Dick, "I, myself, am not fond of animal stories."

Pendergast is a modern Sherlock Holmes, albeit one preferring absinthe to cocaine. The conclusion of this compelling two-prong mystery assures another crime conundrum is sure to wash ashore.

Pub Date: Nov. 10, 2015

ISBN: 978-1-4555-2592-8

Page Count: 368

Publisher: Grand Central Publishing

Review Posted Online: Aug. 17, 2015

Kirkus Reviews Issue: Sept. 1, 2015

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ORIGIN

The plot is absurd, of course, but the book is a definitive pleasure. Prepare to be absorbed—and in more ways than one.

Another Brown (Inferno, 2013, etc.) blockbuster, blending arcana, religion, and skulduggery—sound familiar?—with the latest headlines.

You just have to know that when the first character you meet in a Brown novel is a debonair tech mogul and the second a bony-fingered old bishop, you’ll end up with a clash of ideologies and worldviews. So it is. Edmond Kirsch, once a student of longtime Brown hero Robert Langdon, the Harvard symbologist–turned–action hero, has assembled a massive crowd, virtual and real, in Bilbao to announce he’s discovered something that’s destined to kill off religion and replace it with science. It would be ungallant to reveal just what the discovery is, but suffice it to say that the religious leaders of the world are in a tizzy about it, whereupon one shadowy Knights of Malta type takes it upon himself to put a bloody end to Kirsch’s nascent heresy. Ah, but what if Kirsch had concocted an AI agent so powerful that his own death was just an inconvenience? What if it was time for not just schism, but singularity? Digging into the mystery, Langdon finds a couple of new pals, one of them that computer avatar, and a whole pack of new enemies, who, not content just to keep Kirsch’s discovery under wraps, also frown on the thought that a great many people in the modern world, including some extremely prominent Spaniards, find fascism and Falangism passé and think the reigning liberal pope is a pretty good guy. Yes, Franco is still dead, as are Christopher Hitchens, Julian Jaynes, Jacques Derrida, William Blake, and other cultural figures Brown enlists along the way—and that’s just the beginning of the body count. The old ham-fisted Brown is here in full glory (“In that instant, Langdon realized that perhaps there was a macabre silver lining to Edmond’s horrific murder”; “The vivacious, strong-minded beauty had turned Julián’s world upside down”)—but, for all his defects as a stylist, it can’t be denied that he knows how to spin a yarn, and most satisfyingly.

The plot is absurd, of course, but the book is a definitive pleasure. Prepare to be absorbed—and in more ways than one.

Pub Date: Oct. 3, 2017

ISBN: 978-0-385-51423-1

Page Count: 461

Publisher: Doubleday

Review Posted Online: Sept. 30, 2017

Kirkus Reviews Issue: Nov. 1, 2017

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DAUGHTERS OF THE LAKE

Simultaneously melancholy and sweet at its core.

A body washed up on the shore of Lake Superior moves a family to rewrite its 100-year history in Webb's (The Vanishing, 2014, etc.) new novel, set equally in each era.

Lake Superior, which has always been known for its legends, one day reveals a new mystery when an unidentified body clutching an equally dead baby washes up on the shore near Kate Granger’s family home. Kate, who’s come to town only recently in an attempt to recover from a breakup with her philandering husband, is captivated by the young woman, who’s been appearing to her in dreams. Police know the family too well to suspect Kate was involved in the crime, and she’s allowed to travel within the area to stay with her cousin Simon at the Harrison’s House, a stately former family home the unerringly nice Simon inherited and that he and his partner, Jonathan, have revamped into a B&B. Interspersed with chapters about Kate’s search for the identity of the body is the story of Great Bay in 1889 and the early life of Addie Cassatt and her friend Jess Stewart. Addie’s story sounds almost like a fable, from her birth in a lake that seems to love her to her first meeting with Jess, a boy who seems fated to be always by her side. Things grow more complicated when Jess goes away to college and begins to wonder about life beyond his small town and to ask whether Addie can be the woman he needs to help him achieve his professional dreams. As Addie learns about the limits of love, Kate learns that love may return when she’s introduced to Nick, a police officer willing to invest as much time in identifying the body as Kate is. With the support of Simon and Nick, Kate tries to learn from her dreams and believe the impossible, even if it means connecting the body to a centuries-old mystery entangled with Kate and Simon’s own family history.

Simultaneously melancholy and sweet at its core.

Pub Date: Nov. 1, 2018

ISBN: 978-1-5039-0082-0

Page Count: 347

Publisher: Lake Union Publishing

Review Posted Online: Aug. 20, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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