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GIDEON'S CORPSE

When a scientist from Los Alamos' nuclear weapon Stockpile Stewardship Team endures a nasty divorce, converts to a jihad religion and then takes hostages in the borough of Queens, it should be no surprise that he's radioactive.

That nightmarish scenario opens the new Preston and Child (Gideon's Sword, 2011, etc.) action-adventure. Dr. Gideon Crews, a Los Alamos physicist reluctantly in service to the mysterious Effective Engineering Solutions, is quickly co-opted into the multi-agency investigation attempting to locate the nuclear weapon supposedly built by the rogue scientist. The ESS's shadowy head, Eli Glinn, assigns Crews to work with Stone Fordyce, a cappuccino-swilling FBI agent liaising with NEST, the federal Nuclear Emergency Support Team. The mismatched pair examine the radiation-poisoned stand-off scene, eavesdrop on radio chatter, discover the site where a bomb was apparently assembled and then escape New York City ahead of the nuclear terrorism panic. They head  to Santa Fe and Los Alamos, with a side trip to the mountain lair of a Branch Davidian-like cult, a compound from which the two escape after a bizarre fencing duel involving cattle prods and chain saws. They meet an Italian-American imanface deadly sabotage as they follow another lead, and then things come a cropper for Crews when jihadist rantings and compromising emails are discovered on his computer. Fordyce and the federal alphabet agencies now suspect Crews too is a terrorist. What follows is a cinematic chase around Los Alamos, with movie set pyrotechnics, hidden tunnels under the nuclear laboratory and outlandish mountaintop escapes from dogs and helicopters, with Crews one step ahead of his pursuers while dragging along Alida Blaine, daughter of a bestselling novelist, as hostage turned accomplice. Like the investigators "drowning in false leads, red herrings, and conspiracy theories," the novel is slow to get underway but once Crews is accused, the action zigzags like an out-of-control rocket toward a double-deceptive conclusion. With sufficient Crews back story to give new readers the low-down, the authors adhere to a winning formula.

 

Pub Date: Jan. 10, 2012

ISBN: 978-0-446-564373

Page Count: 368

Publisher: Grand Central Publishing

Review Posted Online: Dec. 18, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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NO BAD DEED

Chavez delivers a fraught if flawed page-turner that attempts too many twists.

A good Samaritan incurs a psychopath’s wrath in this debut thriller.

Veterinarian Cassie Larkin is heading home after a 12-hour shift when someone darts in front of her car, causing her to dump her energy drink. As she pulls over to mop up the mess, her headlights illuminate a couple having a physical altercation. Cassie calls 911, but before help arrives, the man tosses the woman down an embankment. Ignoring the dispatcher’s instructions, Cassie exits the vehicle and intervenes, preventing the now-unconscious woman’s murder. With sirens wailing in the distance, the man warns Cassie: “Let her die, and I’ll let you live.” He then scrambles back to the road and flees in Cassie’s van. Using mug shots, Cassie identifies the thief and would-be killer as Carver Sweet, who is wanted for poisoning his wife. The Santa Rosa police assure Cassie of her safety, but the next evening, her husband, Sam, vanishes while trick-or-treating with their 6-year-old daughter, Audrey. Hours later, he sends texts apologizing and confessing to an affair, but although it’s true that Sam and Cassie have been fighting, she suspects foul play—particularly given the previous night’s events. Cassie files a report with the cops, but they dismiss her concerns, leaving Cassie to investigate on her own. After a convoluted start, Chavez embarks on a paranoia-fueled thrill ride, escalating the stakes while exploiting readers’ darkest domestic fears. The far-fetched plot lacks cohesion and relies too heavily on coincidence to be fully satisfying, but the reader will be invested in learning the Larkin family’s fate through to the too-pat conclusion.

Chavez delivers a fraught if flawed page-turner that attempts too many twists.

Pub Date: Feb. 18, 2020

ISBN: 978-0-06-293617-2

Page Count: 320

Publisher: Morrow/HarperCollins

Review Posted Online: Nov. 24, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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THE INSTITUTE

King fans won’t be disappointed, though most will likely prefer the scarier likes of The Shining and It.

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  • New York Times Bestseller

The master of modern horror returns with a loose-knit parapsychological thriller that touches on territory previously explored in Firestarter and Carrie.

Tim Jamieson is a man emphatically not in a hurry. As King’s (The Outsider, 2018, etc.) latest opens, he’s bargaining with a flight attendant to sell his seat on an overbooked run from Tampa to New York. His pockets full, he sticks out his thumb and winds up in the backwater South Carolina town of DuPray (should we hear echoes of “pray”? Or “depraved”?). Turns out he’s a decorated cop, good at his job and at reading others (“You ought to go see Doc Roper,” he tells a local. “There are pills that will brighten your attitude”). Shift the scene to Minneapolis, where young Luke Ellis, precociously brilliant, has been kidnapped by a crack extraction team, his parents brutally murdered so that it looks as if he did it. Luke is spirited off to Maine—this is King, so it’s got to be Maine—and a secret shadow-government lab where similarly conscripted paranormally blessed kids, psychokinetic and telepathic, are made to endure the Skinnerian pain-and-reward methods of the evil Mrs. Sigsby. How to bring the stories of Tim and Luke together? King has never minded detours into the unlikely, but for this one, disbelief must be extra-willingly suspended. In the end, their forces joined, the two and their redneck allies battle the sophisticated secret agents of The Institute in a bloodbath of flying bullets and beams of mental energy (“You’re in the south now, Annie had told these gunned-up interlopers. She had an idea they were about to find out just how true that was"). It’s not King at his best, but he plays on current themes of conspiracy theory, child abuse, the occult, and Deep State malevolence while getting in digs at the current occupant of the White House, to say nothing of shadowy evil masterminds with lisps.

King fans won’t be disappointed, though most will likely prefer the scarier likes of The Shining and It.

Pub Date: Sept. 10, 2019

ISBN: 978-1-9821-1056-7

Page Count: 576

Publisher: Scribner

Review Posted Online: Aug. 3, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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