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CODENAME LIONEL

A thrilling blend of fact and fiction that recounts a French celebrity racer finding a higher calling.

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In Glass’ historical thriller, an automobile racer turned Resistance fighter risks life and limb in Nazi-occupied France.

The major lesson that Robert Benoist, the hero of this absorbing historical novel, learns is that an easy life is less compelling than a difficult mission of service. The story is an epic mixture of fact and fiction, “written as I believe [Benoist] would have seen his world,” the author suggests. The protagonist’s world turns on the notion of risk, moving from World War I reconnaissance flying to major success as a Grand Prix racer without missing a proverbial beat. Indeed, for Benoist, there’s no bigger thrill than pulling off a major risk successfully: “I loved the rush of being a champion, of being the best, I loved the laughter, accolades, flowing drinks, and women—especially the women.” However, as the go-go 1920s yield to the chaotic ’30s, Benoist’s racing career begins to taper off. Forced to settle for a sales job with Italian automaker Bugatti, he unexpectedly finds a renewed sense of purpose: World War II begins in 1939, and when the Nazis overrun France a year later, Benoist seeks out the chance to fly again—only to be denied because of his age. Suitably stung, he satisfies his yearning for action by joining the Special Operations Executive, a secret army meant to “set Europe ablaze,” as Prime Minister Winston Churchill put it, via acts of spying and sabotage behind enemy lines. It’s at this point where the story rapidly kicks into high gear as Benoist absorbs the grim logic of bluff and counterbluff. Unsurprisingly, the constant pressure to balance various responsibilities, while lobbying for munitions and money from his British handlers, begins to take a toll on Benoist personally.

He may be required to walk into the heart of the beast itself, as Benoist learns in one of the novel’s best-drawn and most harrowing scenes, when he comes face to face with Kieffer, his Nazi nemesis, who makes him a proverbial offer he can’t refuse. Asked what might happen if he doesn’t accept the delivery of a package as part of an incentive to switch sides, Keiffer threatens Benoist’s family: “I should think that it would be in their best interests for you to remain in our favor.” Glass effectively shows how the hero is then wracked with doubts: “I didn’t have an answer. I didn’t have a choice.” The author shows how Benoist accepts a terrible proposition in order to keep the spy game moving along—even if it means he could eventually run out of chances (and further tomorrows). For readers, such scenes offer a haunting reminder of the seemingly hopeless decisions that Benoist and others faced while struggling to shake occupied Europe free of the Nazi regime, and how evil works to reward the basest of impulses. Overall, readers will find that Glass has done an impeccable job of bringing alive the main character’s dilemmas.

A thrilling blend of fact and fiction that recounts a French celebrity racer finding a higher calling.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: N/A

Review Posted Online: May 13, 2026

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  • New York Times Bestseller

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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DAUGHTERS OF THE SUN AND MOON

A flawed but necessary read about a dark moment in American history.

See’s latest novel exposes a forgotten, ugly chapter in LA history—the brutal 1871 massacre of 18 Chinese immigrant men and boys.

In July 1870, two Chinese women arrive in Lo Sang, a dusty frontier town known by its white and Hispanic residents as Los Angeles. Seventeen-year-old Dove, the bound-footed daughter of an imperial scholar fallen on hard times, is the new second wife of Old Man Sing, a merchant in the tiny Chinese community on Calle de los Negros. Barefoot, dark-skinned Petal, sold into servitude to a Gold Mountain tong by her desperately poor peasant father, is destined for the Midnight Garden, a bawdy house owned by Headman Sam. Witnessing the newcomers’ arrival is Moon, the wife of a successful doctor of traditional Chinese medicine. Unlike Petal and Dove, she speaks English, and she assists her husband in his clinic. The three alternating narratives—Petal tells her story as she lives it in 1870; an elderly Moon recalls past events from 1926; and Dove’s tale is recounted in a distant third-person voice—create a portrait of a tiny immigrant community surrounded by a hostile culture and ruled by rival tongs. It’s a shootout between these disputing factions that sets off the horrifying events of Oct. 24, 1871, when a mob of about 500 white and Latine residents torture and lynch their Chinese victims. Although meticulously researched, See’s novel feels curiously flat. Despite continual descriptions of gunfights breaking out, Los Angeles never fully comes to life as a rough-and-tumble Wild West town. While the author’s female protagonists, inspired by historical figures, are well drawn (kudos to the feisty and determined Petal), most of her male characters—Chinese, Anglo, and Mexican—are as flat and indistinguishable as cardboard. Another drawback is See’s stilted and stylized dialogue, typical of historical fiction but wearying to the modern reader.

A flawed but necessary read about a dark moment in American history.

Pub Date: June 9, 2026

ISBN: 9781982117054

Page Count: 384

Publisher: Scribner

Review Posted Online: May 4, 2026

Kirkus Reviews Issue: June 1, 2026

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