An endearing portrayal of an emotional meltdown told with humor and compassion.
When a tornado comes rampaging through the countryside, snatching up farmyard animals and threatening further mayhem, a cow caught up in its winds gently questions why it’s so upset.
A horse? A sheep? A house that may have people in it? Doesn’t matter: This tornado’s gonna toss ’em! But a cow wants to know why. Despite repeated denials that the tornado's anything but a massive column of violent, spiraling air, the persistent, supportive cow wheedles its way past its gruff exterior. The tornado’s large, expressive eyes and actions betray the true feelings behind its blustering, though even it may not know why it’s so upset. Colorful illustrations reminiscent of paper cutouts further create a dynamic, cartoonish impression that adds humor without downplaying the tornado’s reckless destruction. A couple of diagrams show how tornadoes form and operate but seem almost randomly inserted, briefly distracting from the analogy of a caregiver helping a small child coping with big emotions. The tornado’s big feelings and actions, delivered in short bursts of text, will initially amuse and draw children in. By contrast, the cow’s calm nature and sympathy slowly develop through longer sentences before the story delivers its moral in the quiet of a breezy dusk. (This book was reviewed digitally.)
An endearing portrayal of an emotional meltdown told with humor and compassion. (Picture book. 3-6)Pub Date: May 9, 2023
ISBN: 9781665916745
Page Count: 40
Publisher: Atheneum
Review Posted Online: Feb. 7, 2023
Kirkus Reviews Issue: March 1, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
The runaway cookie in this Mexican bakery is a soft, brown, stubby-tailed piglet as impertinently bold and smug in his continual escape as his Gingerbread Boy cousin. “Chase me! Chase me down the street. But this is one piggy you won’t get to eat! / ¡Córrele, córrele! ¡Y Córrele más! ¡Soy el cochinito que jamás comerás!” This bouncy dual refrain extends the familiar cumulative text, rendered in both English and Spanish, as piggy manages to elude Marta the baker, Lorenzo the mechanic, Mamá Nita the beautician, Joaquín the telephone repairman and a host of other neighborhood adults—until he is outsmarted by Rosa, a little girl on her way to school, who foxily “helps him” cross the street. Safely tucked into her backpack, piggy is both a welcome surprise and an excuse for Rosa’s lateness to class. Deep opaque acrylic paintings of a colorful barrio and its residents in pursuit add the right amount of cultural flavor to this vivid Latino retelling. Recipe appended. (Picture book. 3-6)
Pub Date: Nov. 30, 2010
ISBN: 978-1-55885-586-1
Page Count: 32
Publisher: Piñata Books/Arte Público
Review Posted Online: Sept. 24, 2010
Kirkus Reviews Issue: Oct. 15, 2010
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