by Drew Daywalt ; illustrated by David Spencer ‧ RELEASE DATE: Oct. 23, 2018
A worldwide whirlwind that misses the mark.
A stuffed animal and a stick travel around the world by mistake.
Huggie, a blue stuffed animal, and Stick, a wooden stick with a face, arms, and legs, fall out of their boy owner’s backpack into the ocean. They narrate in diary entries, taking turns. Stick’s an eternal optimist, cheerful and oblivious, calling pirates “nice guys in super awesome hats.” In contrast, Huggie’s grumpy, realistic, and perpetually annoyed. Spencer’s pen-and-ink–and-digital art is full of sharp lines and angles, emphasizing exaggerated perspectives and expressions. As the accidental adventurers hop from continent to continent, the places they visit fall into disturbing categories. Australia, Asia, and Africa feature wilderness and animals but neither humans nor industrialization, while Europe and North America feature humans, industrialization, and news media. South America (in text, not pictures) has people who use Stick “as a blowgun to shoot at monkeys and sloths all morning.” Such coding breathes new life into old, inexcusable messages about race and culture. Humor for the butt-jokes crowd and playfulness (“sharks are allergic to stuffed animals”) can’t outweigh the deplorable Western-centric attitudes and one massive geographical misstep: The protagonists fall off an African coast on the right-hand side of a spread into the Atlantic. This misleads readers who don’t know geography yet and confuses those who do. (An only-somewhat-clarifying map on the closing endpapers does not mitigate this fault.) Moreover, the suspension of disbelief demanded by the story is so staggeringly large that it’s distancing.
A worldwide whirlwind that misses the mark. (Picture book. 4-7)Pub Date: Oct. 23, 2018
ISBN: 978-0-399-17276-2
Page Count: 40
Publisher: Philomel
Review Posted Online: Sept. 1, 2018
Kirkus Reviews Issue: Sept. 15, 2018
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tom Percival ; illustrated by Tom Percival ‧ RELEASE DATE: Sept. 3, 2019
A valuable asset to the library of a child who experiences anxiety and a great book to get children talking about their...
Ruby is an adventurous and happy child until the day she discovers a Worry.
Ruby barely sees the Worry—depicted as a blob of yellow with a frowny unibrow—at first, but as it hovers, the more she notices it and the larger it grows. The longer Ruby is affected by this Worry, the fewer colors appear on the page. Though she tries not to pay attention to the Worry, which no one else can see, ignoring it prevents her from enjoying the things that she once loved. Her constant anxiety about the Worry causes the bright yellow blob to crowd Ruby’s everyday life, which by this point is nearly all washes of gray and white. But at the playground, Ruby sees a boy sitting on a bench with a growing sky-blue Worry of his own. When she invites the boy to talk, his Worry begins to shrink—and when Ruby talks about her own Worry, it also grows smaller. By the book’s conclusion, Ruby learns to control her Worry by talking about what worries her, a priceless lesson for any child—or adult—conveyed in a beautifully child-friendly manner. Ruby presents black, with hair in cornrows and two big afro-puff pigtails, while the boy has pale skin and spiky black hair.
A valuable asset to the library of a child who experiences anxiety and a great book to get children talking about their feelings (. (Picture book. 4-6)Pub Date: Sept. 3, 2019
ISBN: 978-1-5476-0237-7
Page Count: 32
Publisher: Bloomsbury
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: June 1, 2019
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