Magary has created a smartly realized vision of a planet that’s hit the skids, but it could use more interesting residents.
One man blogs civilization’s slow, terrifying decline after a cure for aging is discovered.
In 2011, an Oregon scientist discovered the precise genetic location of the trigger for aging, clearing the way to bring a halt to growing old. In 2019, when Magary’s debut novel opens, narrator John Farrell is one of the growing number of people who’ve surreptitiously signed up for the illegal "cure." He’s an easygoing attorney who hasn’t paid close attention to the religious and political furor the cure has caused, but that changes when his roommate is killed in a terrorist attack on the office of a doctor delivering the treatment. At first this brave new world seems mildly comic: John helps set up term limits for married couples who didn’t anticipate that “till death do us part” might take well over a century, and he considers what the cure means for sports records. But in the decades after the cure is legalized, the planet becomes rapidly overpopulated and the story turns dystopian, with John becoming an “end specialist” who helps euthanize people who find deathlessness a grind. Magary is blogger for the sports sites Deadspin and Kissing Suzy Kolber, and the blog format serves him well in the early sections of the novel: It allows him to integrate newspaper articles that set the scene, and he gives John an engaging, quick-witted voice. Trickier for the author are matters of deeper characterization and tone: John’s romantic entanglements and heartbreaks are swallowed up by the events around him, and the closing chapters make ungainly shifts between apocalyptic realism and Grand Guignol horror scenes. In a way, he’s imagined this milieu all too well, making the reader more interested in the world’s end than the people trying to survive it.
Magary has created a smartly realized vision of a planet that’s hit the skids, but it could use more interesting residents.Pub Date: Aug. 30, 2011
ISBN: 978-0-14-311982-1
Page Count: 384
Publisher: Penguin
Review Posted Online: July 5, 2011
Kirkus Reviews Issue: July 15, 2011
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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