Not the strongest espionage tale in the series, but still an entertaining one.
In this seventh installment of the Spies Lie series, a talented young hacker seeks revenge on behalf of her dead boyfriend.
After Charlette DeSpain’s boyfriend Martin Burns is falsely accused of stealing government secrets and meets a suspicious end in prison, she devotes her entire existence to becoming an ace computer hacker and using those skills to clear his name posthumously. Frustrated by the lack of interest in her findings, “she decided to try anything she thought had a chance of working, even if there were side casualties. They all deserved to die.” When Charlette—now known as the CypherGhost—tries to hack and crash a plane containing fellow hacking genius Ann Silbey Sashakovich, Ann thwarts the attempt using her own special abilities. Despite initially being at odds, the two young women team up when the government rounds up computer hackers—black and white hats alike—and sends them to concentration camps in the West (“There are two in the Nevada desert, three in the Utah mountains, five in Wyoming, and one in northern Arizona”). But despite a steamy romance with Ann, the devious CypherGhost may not be the ally she appears to be. When Ann and the CypherGhost both swallow highly advanced nanodevices that allow them to hack from inside their own heads, the stakes quickly escalate. Kane (ProxyWar, 2016, etc.) has produced his most outlandish espionage saga yet, and while one doesn’t doubt that the purported former spy has drawn on some elements of truth for his latest book, it feels much less grounded in reality than the previous series installments. Kane’s novels are always packed with enough terrifying detail to feel at least moderately plausible, if not horrifyingly prescient, but once his all-star hacker team deviates from computers and manipulates members’ brains, things start to feel less like Robert Ludlum and more like The Matrix. Nevertheless, the colorful cast of characters remains as engaging as ever, even as the story goes increasingly off the rails.
Not the strongest espionage tale in the series, but still an entertaining one.Pub Date: Nov. 21, 2016
ISBN: 978-0-9862321-9-0
Page Count: -
Publisher: The Swift Shadow Group
Review Posted Online: Jan. 12, 2017
Review Program: Kirkus Indie
A treat for fans of The Evil Dead or Zombieland, complete with affordable solutions for better living.
A hardy band of big-box retail employees must dig down for their personal courage when ghosts begin stalking them through home furnishings.
You have to give it up for the wave of paranormal novels that have plagued the last decade in literature; at least they’ve made writers up their games when it comes to finding new settings in which to plot their scary moments. That’s the case with this clever little horror story from longtime pop-culture journalist Hendrix (Satan Loves You, 2012, etc.). Set inside a disturbingly familiar Scandinavian furniture superstore in Cleveland called Orsk, the book starts as a Palahniuk-tinged satire about the things we own—the novel is even wrapped in the form of a retail catalog complete with product illustrations. Our main protagonist is Amy, an aimless 24-year-old retail clerk. She and an elderly co-worker, Ruth Anne, are recruited by their anal-retentive boss, Basil (a closet geek), to investigate a series of strange breakages by walking the showroom floor overnight. They quickly uncover two other co-workers, Matt and Trinity, who have stayed in the store to film a reality show called Ghost Bomb in hopes of catching a spirit on tape. It’s cute and quite funny in a Scooby Doo kind of way until they run across Carl, a homeless squatter who's just trying to catch a break. Following an impromptu séance, Carl is possessed by an evil spirit and cuts his own throat. It turns out the Orsk store was built on the remains of a brutal prison called the Cuyahoga Panopticon, and its former warden, Josiah Worth, has returned from the dead to start up operations again. It sounds like an absurd setting for a haunted-house novel, but Hendrix makes it work to the story’s advantage, turning the psychological manipulations and scripted experiences that are inherent to the retail experience into a sinister fight for survival.
Pub Date: Sept. 23, 2014
ISBN: 978-1-59474-526-3
Page Count: 240
Publisher: Quirk Books
Review Posted Online: July 22, 2014
Kirkus Reviews Issue: Sept. 1, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.
Inseparable identical twin sisters ditch home together, and then one decides to vanish.
The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.
Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.Pub Date: June 2, 2020
ISBN: 978-0-525-53629-1
Page Count: 352
Publisher: Riverhead
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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