A high-stakes novel that shines in its philosophical examination of tech issues.
In the ninth installment of Kane’s (MindField, 2017, etc.) thriller series, a Stanford University junior enters a contest to create a sentient artificial intelligence.
“If you were talking to the machine but couldn’t see it, would you be able to tell if you were talking to a human or a computer?” This famous test, proposed by the late mathematician Alan Turing, spurs college student Ann Sashakovich and her teammates as they compete in a contest to build a sentient computer for the Defense Advanced Research Projects Agency. Their objective is to build one that can ensure that national defense computers won’t be hacked and that can reprogram itself. But Ann is wary of the social implications of creating a machine that mimics human cognition: “What will happen to governments when they don’t see a human cost in war?” So she tries to incorporate ethics and morality into the code. Soon, all the DARPA contestants’ projects are hacked, and Chinese and Russian government operatives covertly force contestants to give them details of their work. When some of the AIs begin to gain awareness, all of humanity is at risk—and Ann may be the only one who can save them. Recurring series characters—such as Ann’s parents, Lee and Cassie; her roommate, Laura Hunter; and her ex-boyfriend Glen Sarkov—are welcome additions in this series entry, and a plot point from a previous book excitingly re-emerges. The narrative effectively examines the ethics of sentient technology; at one point, Ann’s mother muses, “My opinion is that it’s too early to tell how AI will change the world. But, by the time we know, it’ll be too late to change what we’ve done.” But although the clear, fast-paced narration conveys a sense of urgency, the dialogue can sometimes feel flat, and a romance between college student Ann and a family friend who’s 12 years her senior may make some readers uncomfortable. The endmatter, though, includes helpful information, including an appendix of characters, glossaries of terms used in the series, and a bibliography and list of works for further reading.
A high-stakes novel that shines in its philosophical examination of tech issues.Pub Date: Dec. 7, 2018
ISBN: 978-0-9996554-4-3
Page Count: 295
Publisher: The Swiftshadow Group, Inc.
Review Posted Online: Jan. 29, 2019
Review Program: Kirkus Indie
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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