McKagan doesn't add much to the oft-told GNR story, but fans will be thrilled by this honest, detailed memoir.
Do we need another tell-all from another Guns N' Roses member? Sure, why not?
Bassist McKagan is the poster child for not judging a book by its cover. In his solid debut, the author—who studied business at Seattle University and has contributed pieces to Playboy, ESPN.com and Seattle Weekly—proves himself to be a legit writer (though readers may wonder how much credit goes to his Playboy editor Tim Mohr, of whom the author writes, "[this book] is as much his baby, as it is mine”). McKagan has a nice eye for details and a surprisingly good memory. He’s proudly raw and harsh, refusing to hold back in terms of language and content, happy to rail on his band mates, his management, promoters and anybody else who he feels crossed him during his journey to the top, and back down to the middle. But he also points his finger at himself, admitting to all of his ill behavior, be it a loud disagreement with Axl Rose or one of his many devastating benders. The GNR story has been told from several angles, and while McKagan’s book doesn’t have the same oomph as Slash's 2008 autobiography, it's better written and more insightful about more topics than just GNR, including his stints with Velvet Revolver and Loaded. "My friends and old band members may remember some of the stories...differently than I do," he writes, "but I have found that all stories have many sides. These are my stories. These are my perspectives. This is my truth."
McKagan doesn't add much to the oft-told GNR story, but fans will be thrilled by this honest, detailed memoir.Pub Date: Oct. 4, 2011
ISBN: 978-1-4516-0663-8
Page Count: 304
Publisher: N/A
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Oct. 1, 2011
IN THE NEWS
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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