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VIDA

THE MICE, THE CAT, AND THE ALEBRIJE

Utterly mesmerizing.

Artistically minded rodents fight back against their feline terrorizer in Tonatiuh’s prescient fable.

On a dreadful, star-filled night, a looming shadow (“¡Un gato!”) falls over the bustling, effervescent town of Mousetepec, and everything changes. As the cat uses its terrible claws to frighten the residents, Mousetepec loses its colorful spirit: The mousefolk stay home, the mercado closes, the fiestas stop, the plaza remains quiet, and the raspado cart stands abandoned. To bring cheer back into their lives, Vida and her brother, Máximo, start painting household objects—containers, jugs, bottles—in kaleidoscopic colors while transforming old buckets and cereal boxes into vibrant masks. When Máximo wanders outside in an ill-timed attempt to bring color back to the town, Vida rushes to his aid, donning one of their frightfully colorful masks to scare the lunging cat away. The confrontation spurs Vida to dream of a large neon creature called an alebrije, which inspires a plan to scare away the creature that’s been menacing Mousetepec. Tonatiuh expertly maintains a brisk pace that engages and tickles. His familiar pre-Columbian-flavored artwork beautifully complements this simply told yet moving fable of collective resistance, boasting bursts of color and provocative shadows across splendid double-page spreads. Insightful backmatter on alebrijes—folk art sculptures—and the tale’s origins draws incisive parallels between the art form’s history in Mexico and the increasing violence that has afflicted the country over the past few decades.

Utterly mesmerizing. (glossary and pronunciation guide, bibliography) (Picture book. 4-8)

Pub Date: Nov. 11, 2025

ISBN: 9781419764592

Page Count: 48

Publisher: Abrams

Review Posted Online: June 13, 2025

Kirkus Reviews Issue: July 15, 2025

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PETE THE CAT'S 12 GROOVY DAYS OF CHRISTMAS

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among

Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.

If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)

Pub Date: Sept. 18, 2018

ISBN: 978-0-06-267527-9

Page Count: 48

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 19, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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THE MOST MAGNIFICENT THING

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...

Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.

First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)

Pub Date: April 1, 2014

ISBN: 978-1-55453-704-4

Page Count: 32

Publisher: Kids Can

Review Posted Online: Feb. 25, 2014

Kirkus Reviews Issue: March 15, 2014

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