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MASTER OF DREAMS

A MEMOIR OF ISAAC BASHEVIS SINGER

For most of the last 14 years of his life, I.B. Singer was assisted by Telushkin, a bright young woman who, in this charming and often poignant memoir, recalls their relationship with striking candor. When Telushkin offered to drive the Nobel laureate to Bard College for the seminar he was teaching—in exchange for being allowed to audit the course—she never expected that he would agree, or that it would lead to a lengthy and turbulent professional and personal relationship with the last of the great Yiddish writers. The man she encountered was a natural charmer, an inveterate flatterer whose childlike demeanor could include the tantrums and dark moods of a spoiled child. Over the course of their time together, she went from being an unpaid chauffeur to serving as his secretary, amanuensis, and eventually a translator of some 20 of his short stories; she also became a close friend, frequent confidant, and surrogate daughter. Telushkin eventually found a second career for herself as a storyteller, and Master of Dreams is a storyteller's book; although it has a loosely chronological structure, it is really a series of thematically linked anecdotes, illuminating a complex, often disturbing character. In the course of his nearly 90 years of life, Singer abandoned or wounded nearly everyone he had been close to, from the son he ignored to his wife of 51 years. Telushkin is no exception, and much of the book's power comes from the excruciating deterioration of their friendship as the psychic demons that drove the writer combined with the no less potent hobgoblins of age and physical breakdown. But the portrait that emerges is by and large a loving one, often lovely to read, honest to a fault, and the man portrayed comes across as an admirable figure, albeit one with huge flaws. (b&w photos, not seen)

Pub Date: Oct. 1, 1997

ISBN: 0-688-11866-6

Page Count: 352

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1997

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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