by Dwayne Jenkins ‧ RELEASE DATE: N/A
A multifaceted, engrossing, and slickly imaginative page-turner.
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After being held captive for five years, the son of a tech entrepreneur escapes and trains as a hit man in this novel.
At the opening of the story, Tyvon, whose father is Odell Sands, the wealthy, Black virtual-reality pioneer, is being held against his will in a desolate basement. His captor is his father’s friend and accountant, Barry Linus Gaines, a man who is infatuated with Odell. Barry is keen on shaping 18-year-old Tyvon in Odell’s mirror image. After years of abuse, Tyvon escapes the basement, but no sooner has he found his freedom than he runs into the mysterious Quentin. The stranger promptly nicknames Tyvon “Shadow” and treats him to a meal at a restaurant. When a politician at a nearby table begins choking, Quentin reveals himself to be a hit man, responsible for the poisoning. Quentin offers to become Tyvon’s mentor before the teen returns home to a family that suspects he is dead. After agreeing to be trained by Quentin, Tyvon is turned into a skilled assassin but is reluctant to make his first kill. Quentin assigns him to execute a corrupt psychiatrist, knowing that the target will act in a manner to sufficiently trigger Tyvon’s rage. When Tyvon tries to back out of performing further hits for Quentin, his mentor lures him with the suggestion that he has information about Barry, who is thought to have died by suicide. The narrative skips back in time to recount dark moments in Tyvon’s childhood and a troubled paternal relationship. Riddled with twists and turns, the story discloses that the motives behind Tyvon’s abduction are less straightforward than they initially appeared.
Jenkins’ fast-paced writing with its slow reveal makes for a killer combination. The author writes adrenaline-fueled action scenes that can prove unapologetically grisly: “Tyvon initiated a sawing motion to make sure that the garrote was doing its job as efficiently as possible. Spit flew from Tyvon’s gritted teeth and his eyes bulged madly, incensed veins visible in his forehead.” Still, the author is not short on subtlety when required. Jenkins builds Tyvon into a psychologically believable character by gradually divulging details of his formative years: “As a child, Tyvon had a stuttering problem and ate as a coping mechanism for the consequent bullying he had to endure, eventually making him chubby.” The novel shines a light on mental health issues, particularly how past abuse shapes an individual’s personality. Set in 2020, the tale delivers descriptions of nascent technology that add a further layer of intrigue, ingeniously predicting readers’ future relationships with virtual reality: “What better spectacle could exist than a microchip that reads your brainwaves? The Virtua adapts to your mind, your habits, your fears, and creates a world tailor-made for its user!” Tyvon’s training with a hit man after only recently escaping captivity may push the boundaries of plausibility for some readers, but it lends the book a certain hyperbolic, action movie–style charm. Jenkins is an engaging storyteller, capable of creating psychologically dark, surprising worlds—the result is a compelling thriller that will make readers want to grab some popcorn.
A multifaceted, engrossing, and slickly imaginative page-turner.Pub Date: N/A
ISBN: N/A
Page Count: 352
Publisher: Vital Narrative Press
Review Posted Online: May 24, 2021
Review Program: Kirkus Indie
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by Ann Patchett ‧ RELEASE DATE: June 2, 2026
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
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New York Times Bestseller
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
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SEEN & HEARD
by Kathryn Stockett ‧ RELEASE DATE: May 5, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
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New York Times Bestseller
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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