Fraught lessons learned about the stuff of living and the staff of life, along with kvetching in the kitchen.



Dysfunctional family angst rises precariously in bread-baking classes at a New York cooking school.

Facing death, Schaffer’s father, Flip, who abandoned his family 30 years earlier, convinces son Dylan to join him for a week’s course in what is billed as “artisanal” baking at the French Culinary Institute. And so, bonding, more or less, they bunk together in a seedy neighborhood hotel. Workings of the culinary school are outlined, and classmates are neatly sketched. As others see Dylan’s father, a professor of history at Clemson University, as cute, his son sees him as oafish. Flip is sloppy. He lies. Long ago, he left his young children in the care of their mother, psychiatrist Cookie, who was certifiably nuts. “He left me to be raised by a crazy woman,” says Dylan, now a lawyer and writer of legal thrillers (I Right the Wrongs, 2005, etc.). Dylan hates Flip, and yet loves him more. Truly, Professor Flip is difficult. He’s no Morrie on Tuesdays or any other day, and his son expends much of his creative talent whining in a Woody Allen–esque mode about present anger and past slights. Ultimately, of course, understanding grows like yeast, and there is love in the loaves of bread. The intergenerational sniping ends in reconciliation and understanding as Dylan tends to his father in Flip’s last days. With much impassioned, highly personal confession, a son unburdens himself. Some readers may feel the author is sometimes too frank, but, withal, when he’s on a roll, the writing is as artisanal as the baking.

Fraught lessons learned about the stuff of living and the staff of life, along with kvetching in the kitchen.

Pub Date: Sept. 6, 2006

ISBN: 1-59691-192-1

Page Count: 272

Publisher: Bloomsbury

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: June 15, 2006

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Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)

Pub Date: Nov. 1, 1992

ISBN: 0-374-17563-2

Page Count: 192

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 1992

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