Die-hard fans might argue this gives us something new, but it doesn’t—and it's boring.

GREY

FIFTY SHADES OF GREY AS TOLD BY CHRISTIAN

Fifty Shades of Grey, from Christian’s perspective.

Anastasia "Ana" Steele stumbles into billionaire Christian Grey's office and clambers her way into his heart despite his need for domination and her need for self-preservation. As James promised her readers, this book tells the now well-known story from Christian's point of view, which means that large swathes of the original novel featuring contact between Ana and Christian—conversations, emails, and the infamous "binding contract between the Dominant and the Submissive"—are essentially copied and pasted into this one, with Ana's first-person narration taken out and replaced by Christian's. What's surprising is how distant and hazy Ana feels, considering how Christian jumped off the pages of the original and how James made us feel connected to his struggles as seen from Ana's perspective. Christian is tortured and enigmatic, which was one of the strengths of Fifty Shades, but his narration lacks subtlety and insight. He continually simplifies his attraction to Ana, referring to her as hot or sexy and saying he wants to dominate her, without any indication that he appreciates the way she's resisting his domineering instincts—or maybe he does appreciate it but still wants to dominate her, which would make it feel even more like a bad high school relationship in which the senior tells the freshman "I really like you, but you're not what I'm looking for, so please change." Christian comes across less as damaged hero than self-centered juvenile bordering on icky creep, which definitely erodes his sexy mystique. James' storytelling here is tedious, repetitive, and sometimes even cringe-worthy. This new take on a familiar story would have been more powerful if Christian had shown the self-awareness and ability to change we saw through Ana's eyes in the original.

Die-hard fans might argue this gives us something new, but it doesn’t—and it's boring.

Pub Date: June 18, 2015

ISBN: 978-1-101-94634-3

Page Count: 576

Publisher: Vintage

Review Posted Online: June 22, 2015

Kirkus Reviews Issue: July 15, 2015

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IT ENDS WITH US

Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...

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MAYBE SOMEDAY

Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson. 

Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty. 

Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.

Pub Date: March 18, 2014

ISBN: 978-1-4767-5316-4

Page Count: 384

Publisher: Atria

Review Posted Online: May 7, 2014

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