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AGAIN AGAIN

A thoughtfully subversive exploration of the diverging pathways of the human heart.

A rising senior’s summer follows diverging romantic trajectories in parallel timelines.

Adelaide Buchwald is spending the summer dogsitting for her teachers at Alabaster Prep, an elite New England boarding school—and processing both her recent breakup and her brother Toby’s opioid addiction. Soon she runs into Jack Cavallero, a boy who wrote a poem about her two years prior—“She contains / contradictions,” he wrote—and whom she’s idealized ever since. The narrative then breaks into several possibilities of how their relationship might progress. Adelaide also works to complete a set design for Sam Shepard’s Fool for Love to save a failing grade from the previous year and tremulously starts to rebuild her bond with her brother despite her feelings of betrayal after the pain his addiction has caused the family. In addition to the fractured timelines, Adelaide’s narrative voice occasionally fractures with added line breaks when her emotions are most heightened. Adelaide is white, Jewish, and on reduced tuition at the largely wealthy and WASP-y Alabaster; Jack is olive-skinned, and several secondary characters are racially diverse. What begins as a typical YA romance becomes a thoughtful exploration of the expectations Adelaide places on herself and others; in each timeline, she must confront her own fears and shortcomings. Toby’s addiction is sensitively portrayed; the sibling relationship emerges as the true heart of this story in any timeline.

A thoughtfully subversive exploration of the diverging pathways of the human heart. (Fiction. 14-18)

Pub Date: June 2, 2020

ISBN: 978-0-385-74479-9

Page Count: 304

Publisher: Delacorte

Review Posted Online: March 28, 2020

Kirkus Reviews Issue: April 15, 2020

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GIRL IN PIECES

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

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After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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IF ONLY I HAD TOLD HER

A heavy read about the harsh realities of tragedy and their effects on those left behind.

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In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.

Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.

A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)

Pub Date: Feb. 6, 2024

ISBN: 9781728276229

Page Count: 416

Publisher: Sourcebooks Fire

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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