Riveting, brutal and beautifully told.
A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.
Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.
Riveting, brutal and beautifully told. (Fiction. 14 & up)Pub Date: May 13, 2014
ISBN: 978-0-385-74126-2
Page Count: 240
Publisher: Delacorte
Review Posted Online: March 16, 2014
Kirkus Reviews Issue: April 1, 2014
PROFILES
BOOK TO SCREEN
BOOK TO SCREEN
This scorching glimpse of life (and death) among the moneyed classes hits its marks, if a bit mechanically.
A summertime stay on Martha’s Vineyard confirms everything Linden thinks about rich people.
Best known for emotional YA romances, Cotugno tries her hand at an emotional whodunit—and readers who can roll with the weird attraction her protagonist seems to exert on the two main young women here may find themselves caught up in an engrossing whirl of, as the title promises, lies, secrets, and louche living. Hardly has he arrived for a two-week stay at palatial August House than Michael Linden and his host and boarding school roommate Jasper’s twin sister, Eliza, are bedroom-bound; his ghosted former platonic friend Holiday turns up; and Greg, despised boyfriend of another houseguest, winds up in a coma after an apparent accident. Dragged along by Holiday, who, along with inexplicably letting bygones be bygones, turns out to be an enthusiastic amateur sleuth, scholarship student Linden finds plenty of fuel for his (supposedly) secret resentment of the privileged classes and the way they can get away with anything. Though not, as it turns out after a comfortably conventional denouement complete with surprise confession, murder. Also, as a tease at the end suggests, for all that he comes clean about several secrets of his own, Linden leads the pack in the “things to hide” department. Aside from one prominent supporting character—a brown-skinned lacrosse champion—the central cast reads White.
This scorching glimpse of life (and death) among the moneyed classes hits its marks, if a bit mechanically. (Mystery. 14-18)Pub Date: May 2, 2023
ISBN: 9780593433287
Page Count: 288
Publisher: Delacorte
Review Posted Online: March 13, 2023
Kirkus Reviews Issue: April 1, 2023
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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