Extraordinary and with a foreboding atmosphere that’s grim but never dreary.
Those cured of a devastating infection struggle to survive in a world that doesn’t consider them human in Stueve’s harrowing dystopian thriller.
Profine Pharmaceuticals may have saved humankind with Tetdat, the cure for a widespread infection that turned people into mindless beings who craved live meat. Billy Dodge is one of the cured, known as formers, who are housed in various Profine compounds to protect them from the masses of uninfected who still see them as diseased monsters. There are disastrous consequences when, one night, Billy storms out of a group-therapy session and leaves the facility. He and fellow former Nancy Shellborne have a confrontation with an uninfected that results in the man’s death. Enraged humans outside the compound cause pandemonium. This disturbing tale presents a bleak future in which individuals are still swayed by the media and mob mentality. It’s clear, for starters, that the infected are not monsters: the protagonist is a former, and Stueve (The ABCs of Dinkology: Time In-Between, 2014, etc.) rigorously avoids the Z-word. Billy, in his first-person narrative, persistently reminds himself that he’s alive. The pale-skinned man may be perpetually cold, but emotions like anger and fear, he believes, verify that he’s human. The media, meanwhile, discuss formers as separate entities from humans, implying that the name refers to a former state of humanity. “Oh society, will you ever change?” Billy laments, as reporters spin stories sympathizing with the dead man—though readers know he’d relentlessly beat Billy before a brick-wielding Nancy intervened. Stueve stays mostly in the present but maintains a riveting story by dropping hints of the 10-year Infection War (nuclear bombs in New York and London) and Billy’s pre-infection life (his newlywed wife and beloved dog are both dead). There’s violence, of course, but the author steers clear of visceral imagery, opting for darkly vivid prose, including the bloodshot-eyed formers crying “bloody tears.” Despite its focus on Billy, the novel, which clocks in at around 300 pages, has the emotional range and depth of a much longer epic tale.
Extraordinary and with a foreboding atmosphere that’s grim but never dreary.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: The Novel Fox
Review Posted Online: Dec. 3, 2015
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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