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FRIDAY CALLS

A SOUTHERN NOVEL

A lyrical Southern tale of rippling effects.

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A debut literary novel tells the interlocking stories of the denizens of a North Carolina town.

In the South in the 1950s, there aren’t any bars. The rich drink at their clubs or one another’s homes. The poor sip at drink houses. Harry Davis runs a beverage distributor in Winston-Salem, though he also oversees an illegal sports-betting operation with his friend Syd Siddon. One of Harry’s employees, Evelina Starlight “Big Rise” Peak—so called because she is the largest woman anyone has ever seen—is a former prostitute and Social Security check thief. Her younger brother, the simple but sensitive Homer Kenny, works for everybody: “Kenny is the fellow who is there if anyone needs anything—The Master of the Job, the Errand, the Task. He works for many people, does many things, knows more than they think he does and keeps his mouth shut.” Benjamin Franklin “Bo” Winphrie runs a drink house, sells drugs, and thinks enough of himself to adopt the first name of rock star Bo Diddley. After a fight about money, Kenny shoots Bo in the drink house; meanwhile, across town, one of Harry’s well-to-do clients accidentally drives his car onto the railroad tracks and is hit by a train. These two events send shock waves throughout the town, destabilizing the usual way of things in Winston-Salem and bringing its communities—rich and poor, black and white—into unexpected collisions. Glenn’s prose is full of color and motion, as here, during Bo’s murder: “The form of Bo stops moving and yanks like being startled, jerking to the right, a pulling back away like un-huh, no, no you don’t, and then Bo’s chin comes up and down like a fast nod and then he cat-dances back to the bar counter and slumps a little bit, but stays more due north than not.” The book’s cast is large, and the narrative hops between characters every few pages, though readers will eventually get to know everyone and can mostly keep track of them. At nearly 300 pages, it’s a long, dense, and meandering tale, but there is plenty about the author’s sprawling yarn to keep readers entertained.

A lyrical Southern tale of rippling effects.

Pub Date: Feb. 26, 2019

ISBN: 978-1-5136-3623-8

Page Count: 300

Publisher: Time Tunnel Media

Review Posted Online: Feb. 19, 2019

Kirkus Reviews Issue: April 1, 2019

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HOME FRONT

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...

 The traumatic homecoming of a wounded warrior.

The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart. 

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.

Pub Date: Jan. 31, 2012

ISBN: 978-0-312-57720-9

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Dec. 18, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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OWEN FOOTE, MONEY MAN

In his quest for easy moolah, Owen learns that the road to financial solvency can be rocky and fraught with work. Greene (Owen Foote, Soccer Star, 1998, etc.) touches upon the often-thorny issue of chores and allowances: Owen’s mom wants him to help out because he’s part of the family and not just for the money—while Owen wants the money without having to do tedious household chores. This universal dilemma leaves Owen without funds and eagerly searching for ways to make a quick buck. His madcap schemes range from original—a “free” toilet demonstration that costs 50 cents—to disastrous, as during the trial run of his children’s fishing video, Owen ends up hooking his ear instead of a trout. Enlisting the aid of his stalwart, if long-suffering, friend Joseph, the two form a dog-walking club that becomes vastly restricted in clientele after Owen has a close encounter with an incontinent, octogenarian canine. Ultimately, Owen learns a valuable lesson about work and money when an unselfish action is generously rewarded. These sudden riches motivate Owen to consider wiser investments for his money than plastic vomit. Greene’s crisp writing style and wry humor is on-target for young readers. Brief chapters revolving around a significant event or action and fast pacing are an effective draw for tentative readers. Weston’s (Space Guys!, p. 392, etc.) black-and-white illustrations, ranging in size from quarter- to full-page, deftly portray Owen’s humorous escapades. A wise, witty addition to Greene’s successful series. (Fiction. 8-10)

Pub Date: Sept. 18, 2000

ISBN: 0-618-02369-0

Page Count: 96

Publisher: Clarion Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2000

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