by Eamon Duffy ‧ RELEASE DATE: Nov. 1, 1997
A sumptuous feast of popes and kings, nimbly prepared by historian Duffy, a fellow at Magdelen College, Cambridge. This book is intended as a tie-in to a six-part British television series on the history of the papacy, scheduled to appear on the History Channel in the spring of 1998. For a companion volume, this history is surprisingly dense and sophisticated. More important, although Duffy certainly remarks on the papacy's more salacious past (like Boniface's comment that sex with boys or women was no more sinful than ``rubbing one hand against another''), he never stoops to a tabloidesque fascination with the all-too-human foibles of the pontiffs. Rather, Duffy uses the evolving institution of the papacy from Peter to John Paul II as a lens through which to view two millennia of Western civilization. He profiles the missionary activity of the early Church, the consolidation of power with the bishop of Rome (who became the acknowledged pope), the emergence of monastic reform, the schism with Constantinople, the ``Babylonian Captivity'' of the papacy in 14th-century Avignon, Luther's protest, and the Catholic Reformation that met his challenge. If the last third of the book seems to lose some of its energy, it might be because, as Duffy subtly observes, the modern papacy is a quite different institution than its predecessor. Shorn of political power and the most obvious signs of avarice, it now commands a holy respect. Duffy claims that the current pope asserts ``a spiritual status . . . greater than at any time since the high Middle Ages.'' With its 150 well-chosen illustrations, 100 of them in color, this is a coffee-table book that transcends its genre. (History Book Club selection)
Pub Date: Nov. 1, 1997
ISBN: 0-300-07332-1
Page Count: 336
Publisher: Yale Univ.
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 15, 1997
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by Timothy Paul Jones ‧ RELEASE DATE: Sept. 1, 2005
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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by Albert Camus ‧ RELEASE DATE: Sept. 26, 1955
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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