All too short but powerful; beautifully written, well-observed and effective.
A 17-year-old undergoes training as a psychiatric technician at a California state hospital in this fictionalized memoir.
Davis (Road Stories, 2013) bases this novel on his experience in a training program for psychiatric technicians at then–Sonoma State Hospital in Eldridge, California, beginning in 1970 when he was 17. Noting that the book is fictional, Davis states that he has “taken some liberties to serve the story. But the place and the people are just as I remember them.” Davis skillfully evokes the setting with its hierarchies, routines, customs and varied characters. A shift supervisor explains the classifications for one ward: “The Thunderbirds…are mostly high functioning morons. The Falcons are mostly imbeciles, The Ravens mostly mongoloids with a few cretins.” The narrator’s tour that day ends in a small outdoor yard: “The Thunderbirds, Falcons and Ravens were all there; sitting or rocking or staring up at the sky through the fencing that sealed off the top of the space as well as the walls.” Medications, the narrator learns, “did most of the supervising.” Characteristic of the book as a whole, the quiet contrast here between the patients’ soaring bird names and the reality of their caged lives is the more poignant for its understatement. There are few snake-pit horrors here, but more prevalent is the sadness that results when the best solutions available are bad ones. When a trainee trying to restore range of motion pushes a little too far, “the sound of her case study’s arm breaking echoed through the ward like a branch snapping in the forest.” The narrator’s compassion, the way he listens to and really looks at his patients, is a reminder of the possibilities for connection even among the grimmest surroundings, balanced by an acknowledgement of the limitations. Gerald, for example, is a hard case known for biting (until his teeth were pulled out) and running away (until an orthopedic surgeon’s operation prevents it). The narrator manages to build a tentative, fragile understanding with Gerald, but even so, he can’t give him the freedom he craves.
All too short but powerful; beautifully written, well-observed and effective.Pub Date: Aug. 1, 2014
ISBN: 978-0986069727
Page Count: 86
Publisher: The Wedgewood Press
Review Posted Online: Oct. 9, 2014
Kirkus Reviews Issue: Nov. 1, 2014
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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