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PUMPKIN MAGIC

Readers will delight in discovering the joyous time pumpkins have when it’s Halloween.

Magical moonbeams awaken a pumpkin patch to raucous Halloween-season revelry.

A moonbeam illuminates and energizes a smiley-faced pumpkin sitting alone on a stair; it promptly takes off to find a friend with whom to have a good time. An entire pumpkin patch, also sparked by the magical moon, instantly comes alive. And what merriment all the grinning gourds get up to! Their playful shenanigans include piling high on top of one another, bouncing on a trampoline, dancing, marching, and drumming, wearing costumes, and competing in games. They even engage in activities usually reserved for other holiday-themed icons—flying on brooms and making magic, for instance. As dawn approaches, the pumpkin leader escorts the cavalcade back home. At sunrise, each one takes up residence on a different house’s front porch and awaits that evening’s moonbeams to work their magic again. Liveliness and good cheer abound in this frisky rhyming tale in which the perennial holiday symbols naturally take center stage. Perky couplets that read and scan very well appear on most pages and are accompanied by energetic, expressive illustrations that highlight vivid oranges, yellows, blues, purples, and greens with touches of other bright shades.

Readers will delight in discovering the joyous time pumpkins have when it’s Halloween. (Picture book. 3-6)

Pub Date: July 7, 2020

ISBN: 978-1-338-56332-0

Page Count: 32

Publisher: Cartwheel/Scholastic

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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LOVE FROM THE VERY HUNGRY CATERPILLAR

Safe to creep on by.

Carle’s famous caterpillar expresses its love.

In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.

Safe to creep on by. (Picture book. 3-6)

Pub Date: Dec. 15, 2015

ISBN: 978-0-448-48932-2

Page Count: 32

Publisher: Grosset & Dunlap

Review Posted Online: Feb. 1, 2021

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LOVE FROM THE CRAYONS

As ephemeral as a valentine.

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 1, 2021

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