Next book

MONKEY KING

Using a combination of handmade and bought papers, Young has created a dazzling collage adaptation of the traditional Chinese legend of the Monkey King. Brilliant shades of pink, purple, red, orange, gold, and green are offset by wispy whites and stark blacks on warm earth-toned backgrounds. The colors often leap and swirl across the pages, tracing the trajectories of Monkey’s energetic somersaults and mirroring his irrepressible personality. Always restless and eager for new adventures, Monkey simply can’t keep out of trouble. Born from an exploding rock, he fights the fierce Red Beard Bandit, steals a golden pillar from the underwater palace of the Dragon King, and gobbles up all the forbidden fruit from Jade King’s immortal peach tree. The centerpiece of the book, and of Monkey’s adventures, takes place on pages that fold out both horizontally and vertically as Monkey leaps to a place that he thinks is the end of the earth, but that turns out to be the upraised hand of Buddha. He scribbles, “Monkey was here,” thinking he has triumphed, but in fact he is trapped. After 500 years of captivity, he is freed to have a few more adventures before the end of the book, which concludes when he learns that there is “strength in admitting to weakness.” The narrator leaves the reader with a question and an answer—“Did Monkey’s humility last? That’s another story for another book.” Young’s prose is spare, and the placement of the words is brilliantly integrated into his page designs. An author’s note provides information on the Chinese epic Journey to the West, from which these episodes have been adapted. There is also a list of characters with their descriptions. This visually and thematically rich creation by one of our finest picture book artists is wonderful both to read aloud and to peruse and ponder at leisure. (Picture book/folktale. All ages)

Pub Date: March 31, 2001

ISBN: 0-06-027919-2

Page Count: 40

Publisher: HarperCollins

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Jan. 1, 2001

Next book

CINDERELLA

From the Once Upon a World series

A nice but not requisite purchase.

A retelling of the classic fairy tale in board-book format and with a Mexican setting.

Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.

A nice but not requisite purchase. (Board book/fairy tale. 3-5)

Pub Date: Sept. 13, 2016

ISBN: 978-1-4814-7915-8

Page Count: 24

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Oct. 11, 2016

Kirkus Reviews Issue: Jan. 1, 2017

Next book

THERE'S A MONSTER IN YOUR BOOK

From the Who's in Your Book? series

Playful, engaging, and full of opportunities for empathy—a raucous storytime hit.

Readers try to dislodge a monster from the pages of this emotive and interactive read-aloud.

“OH NO!” the story starts. “There’s a monster in your book!” The blue, round-headed monster with pink horns and a pink-tipped tail can be seen cheerfully munching on the opening page. “Let’s try to get him out,” declares the narrator. Readers are encouraged to shake, tilt, and spin the book around, while the monster careens around an empty background looking scared and lost. Viewers are exhorted to tickle the monster’s feet, blow on the page, and make a really loud noise. Finally, shockingly, it works: “Now he’s in your room!” But clearly a monster in your book is safer than a monster in your room, so he’s coaxed back into the illustrations and lulled to sleep, curled up under one page and cuddling a bit of another like a child with their blankie. The monster’s entirely cute appearance and clear emotional reactions to his treatment add to the interactive aspect, and some young readers might even resist the instructions to avoid hurting their new pal. Children will be brought along on the monster’s journey, going from excited, noisy, and wiggly to calm and steady (one can hope).

Playful, engaging, and full of opportunities for empathy—a raucous storytime hit. (Picture book. 2-7)

Pub Date: Sept. 5, 2017

ISBN: 978-1-5247-6456-2

Page Count: 32

Publisher: Random House

Review Posted Online: June 4, 2017

Kirkus Reviews Issue: June 15, 2017

Close Quickview