In a lovely creation tale (drawn from Charles E. S. Wood's 1901 collection of ``Myths of the North American Indians''; not attributed to any tribe), plants come first, with no one to eat their fruits until a lonely ``spirit person'' makes animals, then ``images of himself.'' Since the men are hunters, he gives the animals defenses (most effective is the skunk's). Then the spirit person finds a woman spirit and leaves the men, who quarrel among themselves until one brave chief follows after the spirit people. He learns that they have become the sun and moon, but they've left a gift: a baby—``changeful as the moon''—who grows up to become the first woman. The myth is retold with admirable grace and simplicity. Young's full-bleed art, rendered in pastels, is vibrant with sumptuous color; the dazzling, sunstruck mist of early dawn is especially arresting, and the elemental, cloudlike forms truly bespeak a universal beginning. (Picture book. 4-8)
Pub Date: Sept. 30, 1993
ISBN: 0-06-021301-9
Page Count: 40
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1993
Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)
Pub Date: Oct. 1, 2008
ISBN: 978-0-399-24772-9
Page Count: 32
Publisher: Putnam
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 1, 2008
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A visual feast and rhyming text provide read-aloud fun and encouragement for picky eaters.
A little girl and her dragon have different ideas about what’s good to eat in Weaver’s picture book.
Feeding a pet dragon can be quite a challenge, especially if the dragon is prone to fire-breathing—just ask the little girl (who has light-colored skin and blond hair) at the center of this whimsical picture book. Her hungry dragon once “lost complete control,” spat fire, and singed the seat of her pants. “So, now I must be careful and make sure he’s always fed,” she says, “or else I might end up with toasted underwear instead!” But what to fix for a dragon’s lunch? The unnamed girl is sure the dragon’s culinary tastes “are similar to mine,” so she rules out vegetables and casseroles in favor of pizza, a milkshake, and chocolate cake. As the clever, rhyming narrative continues, the proposed dragon menu becomes more outlandish, including frosted tacos, a candy bar sandwich, a chocolate lake, and “mountains made of pancakes.” With a light touch, Weaver wraps this quirky fantasy around a good message for picky eaters; the dragon’s preference for steak and veggies persuades the little girl to give more nutritious foods a try. Soylu’s vivid, idiosyncratic, full-page color illustrations are a delight, complemented by the text layout, which is varied with curves, angles, colors, and quirky lettering.
A visual feast and rhyming text provide read-aloud fun and encouragement for picky eaters.Pub Date: July 16, 2024
ISBN: 9781736267363
Page Count: 36
Publisher: A Little Offbeat Publishing
Review Posted Online: Feb. 26, 2024
Review Program: Kirkus Indie
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