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UH-OH! MY DRAGON'S HUNGRY

A visual feast and rhyming text provide read-aloud fun and encouragement for picky eaters.

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A little girl and her dragon have different ideas about what’s good to eat in Weaver’s picture book.

Feeding a pet dragon can be quite a challenge, especially if the dragon is prone to fire-breathing—just ask the little girl (who has light-colored skin and blond hair) at the center of this whimsical picture book. Her hungry dragon once “lost complete control,” spat fire, and singed the seat of her pants. “So, now I must be careful and make sure he’s always fed,” she says, “or else I might end up with toasted underwear instead!” But what to fix for a dragon’s lunch? The unnamed girl is sure the dragon’s culinary tastes “are similar to mine,” so she rules out vegetables and casseroles in favor of pizza, a milkshake, and chocolate cake. As the clever, rhyming narrative continues, the proposed dragon menu becomes more outlandish, including frosted tacos, a candy bar sandwich, a chocolate lake, and “mountains made of pancakes.” With a light touch, Weaver wraps this quirky fantasy around a good message for picky eaters; the dragon’s preference for steak and veggies persuades the little girl to give more nutritious foods a try. Soylu’s vivid, idiosyncratic, full-page color illustrations are a delight, complemented by the text layout, which is varied with curves, angles, colors, and quirky lettering.

A visual feast and rhyming text provide read-aloud fun and encouragement for picky eaters.

Pub Date: July 16, 2024

ISBN: 9781736267363

Page Count: 36

Publisher: A Little Offbeat Publishing

Review Posted Online: Feb. 26, 2024

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  • Kirkus Reviews'
    Best Books Of 2022


  • New York Times Bestseller


  • IndieBound Bestseller


  • Caldecott Honor

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KNIGHT OWL

A charming blend of whimsy and medieval heroism highlighting the triumph of brains over brawn.

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  • Kirkus Reviews'
    Best Books Of 2022


  • New York Times Bestseller


  • IndieBound Bestseller


  • Caldecott Honor

A young owl achieves his grand ambition.

Owl, an adorably earnest and gallant little owlet, dreams of being a knight. He imagines himself defeating dragons and winning favor far and wide through his brave exploits. When a record number of knights go missing, Owl applies to Knight School and is surprisingly accepted. He is much smaller than the other knights-in-training, struggles to wield weapons, and has “a habit of nodding off during the day.” Nevertheless, he graduates and is assigned to the Knight Night Watch. While patrolling the castle walls one night, a hungry dragon shows up and Owl must use his wits to avoid meeting a terrible end. The result is both humorous and heartwarming, offering an affirmation of courage and clear thinking no matter one’s size…and demonstrating the power of a midnight snack. The story never directly addresses the question of the missing knights, but it is hinted that they became the dragon’s fodder, leaving readers to question Owl’s decision to befriend the beast. Humor is supplied by the characters’ facial expressions and accented by the fact that Owl is the only animal in his order of big, burly human knights. Denise’s accomplished digital illustrations—many of which are full bleeds—often use a warm sepia palette that evokes a feeling of antiquity, and some spreads feature a pleasing play of chiaroscuro that creates suspense and drama.

A charming blend of whimsy and medieval heroism highlighting the triumph of brains over brawn. (Picture book. 4-8)

Pub Date: March 15, 2022

ISBN: 978-0-316-31062-8

Page Count: 48

Publisher: Christy Ottaviano Books

Review Posted Online: Dec. 15, 2021

Kirkus Reviews Issue: Jan. 1, 2022

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HOME

Visually accomplished but marred by stereotypical cultural depictions.

Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”

Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.

Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)

Pub Date: Feb. 24, 2015

ISBN: 978-0-7636-6529-6

Page Count: 40

Publisher: Candlewick

Review Posted Online: Nov. 17, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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