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STILL LIFE IN HARLEM

A worthwhile, complex commentary on the author's two-year sojourn in Harlem. Harris has built a career on being an ``insider-outsider'' ethnographer, first as a black American in Africa and then in the rural Deep South (Native Stranger, 1992; South of Haunted Dream, 1993). He now follows these with a similar foray into Harlem, an attempt to witness another aspect of the black American experience. The narrative is engaging, well-written, and sometimes insightful, but it stops short of extraordinary because of Harris's own ambiguous role. The book opens with a scene that he returns to again and again: He is standing at his window late in the night, watching intently as a man across the street beats a woman. This scene and others indicate that Harris is an observer who has made a conscious choice to live in Harlem, to not have a telephone, to deplete his funds. He can, as he himself remarks, leave any time—a fact that gives the narrative an almost anthropological aloofness. As time progresses, he does begin to initiate more conversations on the street, to take a vested interest in his surroundings, and in doing so, he finds much still to be celebrated in Harlem: a young mother who spends late nights caring for the neighborhood's children; a native son who, after a successful law career, returns to Harlem to help other youngsters. Harris is changed by these encounters and inspired to refuse hopelessness and, ultimately, offers a writing class at an after-school program. The book's title becomes something of an unintentional double entendre: As an artist Harris has successfully captured the ``still life'' of Harlem, a portrait of hopelessness and urban decay. But by the end he has subtly convinced the reader that there is still, in fact, life in Harlem. His own small transformations become his most compelling witness to that stubborn life. (Author tour)

Pub Date: Nov. 1, 1996

ISBN: 0-8050-4851-0

Page Count: 224

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1996

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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