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POET OF THE GHETTO: MORRIS ROSENFELD

A far too long and rambling study of the bard of American sweatshops (18621923), who wrote largely in Yiddish. Also included here are selections from Rosenfeld's prose and poetry. The author, Rosenfeld's grandson, is too close to his subject, whom he sometimes refers to as ``grandpa'' in this self-styled ``testimonial.'' Yet while offering digressions on the nature of poetry and the history of Yiddish, Goldenthal provides only the sketchiest details of Rosenfeld's often tragic life, which included losing a beloved 15-year-old son after the boy was beaten in an anti-Semitic incident, and spending the last years of his life largely alone, poor, and forgotten. Not until the epilogue do we learn that three of his siblings died from disease during WW I, that Rosenfeld began to go blind in 1907, and that Rabbi Stephen Wise and Jane Addams, among others, spoke at celebrations marking his 50th birthday. As for the poems, Rosenfeld eloquently expressed his outrage at the terrible conditions faced by assembly-line and sweatshop workers and at the radical inequities of American life. Stylistically, however, most of the poetry doesn't stand the test of time—it's too Victorian and manneristic. This may explain why, even in Rosenfeld's day, his poems were declaimed and sung as much as they were read. His prose holds up better, particularly when the characteristically dour writer shows flashes of wit, as in a delightful short essay describing the irritating character of ``The Nudnik.'' For this success and others, Rosenfeld undoubtedly deserves to be remembered, and in a limited sense, Goldenthal's book serves the purpose. Still, Rosenfeld would have been better served by a more objectively critical and sharply edited, less bulky and cloying work.

Pub Date: Feb. 28, 1998

ISBN: 0-88125-613-7

Page Count: 432

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1997

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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