Swamp’s (The Gyre Mission: Journey to the *sshole of the World, 2012) comic and obscene cautionary tale pits the haves against the have-nots in a remarkably unpleasant future.
Having escaped the poverty of his childhood, claims adjuster Floyd Jasper is now gainfully employed by a large health insurance company. In a nightmarish near-future America suffering the ill effects of post–Citizens United election-buying, he has, because of his profession, become a supremely unpopular man. Just as 99 percent of the U.S. is poor, 99 percent of the insurance company’s claims are denied. The sick have three choices: pay in full, start a payment plan with 75 percent interest, or be executed. Floyd delights in the gruesome nature of the job: though he was born poor, he nevertheless considers these unfortunate souls to be nothing but vermin. Few things weigh heavily on his conscience as he murders, rapes women, and shoots annoying kids in the street. Nevertheless, he is a scathing and wry critic of the oppressive government, the delusional media, and the rich. His intense love for his brother is often on his mind, and a torrid affair with co-worker Gloria Estrella opens up a new dimension in his career and personal life. The mysterious death of his colleague Carl Winters as well as a fateful encounter with a 700-pound woman lead Floyd to believe he’s being stalked, so he goes on the run with Gloria. As he grows into an impromptu inspirational leader, the resulting battles make him question the motives of everyone around him. Swamp’s rollicking and witty prose makes the stomach-turning events somewhat easier to swallow. The narrative is solid, if wordy and long, casting Floyd as a deadpan antihero. Zany though informed, disgusting but relevant, the story offers insight into American class divisions and the general public’s feeling of powerlessness toward the government machine. Think American Psycho if it were written by Carl Hiaasen, plus characters from The Handmaid’s Tale on a lot of hard drugs. If Swamp had been more concise, his book could have taken flight a bit more easily.
Overlong but astonishing social commentary.
Pub Date: April 20, 2015
ISBN: 978-0-692-31601-6
Page Count: 446
Publisher: CreateSpace
Review Posted Online: June 18, 2015
Kirkus Reviews Issue: July 15, 2015
Review Program: Kirkus Indie
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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