by Edith Hope Fine and Judith Pinkerton Josephson & illustrated by Hernán Sosa ‧ RELEASE DATE: Oct. 1, 2007
This affecting tale—of a plein-air schoolroom in a deeply impoverished neighborhood populated by pepenadores (trash pickers)—springs from the real deal. Fine and Josephson have taken the story of David Lynch, who first went to Mexico in 1980 to teach children living in the Tijuana city dump, and fashioned it into a picture book. Fictional, yes, but only marginally so. Their story pivots around Armando, who scours the dump with his father all day long for anything of worth, and his thirst to join the classroom: a blue tarp on the bare ground. Though Armando’s income is vital to the family, his parents come to understand that only an education will allow him to eclipse pepenadore life. The simplicity of the story is what lets it run deep, its bite of realism; no sermons are being delivered here, just a door thrown open to life under reduced circumstances (though Sosa’s artwork, with its look of leaded glass, conveys a benevolent quality to the proceedings). Without patronizing, Señor David defines the essence of humanitarianism, while the pepenadores, ever searching for beauty in the beast, find gold—and prize it. (Picture book. 5-9)
Pub Date: Oct. 1, 2007
ISBN: 978-1-58430-278-0
Page Count: 48
Publisher: Lee & Low Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2007
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by Edith Hope Fine & Angela Demos Halpin & illustrated by Colleen Madden
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by Loren Long & illustrated by Loren Long ‧ RELEASE DATE: Sept. 1, 2009
Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)
Pub Date: Sept. 1, 2009
ISBN: 978-0-399-25248-8
Page Count: 40
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
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SEEN & HEARD
by Ellen Potter ; illustrated by Felicita Sala ‧ RELEASE DATE: April 10, 2018
A charming friendship story and great setup for future books.
Curious about the Big Wide World outside his Sasquatch community, Hugo makes a friend who is of it.
Sasquatch Hugo’s bedroom is inside a cave and possesses the charming feature of a small stream running through it that he can sail his little toy boat on. It’s cool, but he yearns to see the Big Wide World. When he asks his smart friend Gigi if a Sasquatch might become a sailor, she says it’s possible but would be difficult—the primary rule of their people is to not be seen by Humans. Then, in everyone’s favorite Hide and Go Sneak class, which is held outside, a Human appears; Hugo laughs at the sight, drawing Human attention in a taboo-breaking mistake. Shortly after, Hugo’s toy boat floats into the cave with a Human toy—soon, it’s facilitating a pen-pal–type relationship that’s derailed when Hugo confesses to being a Sasquatch and Human Boone, a budding cryptozoologist, doesn’t believe him. How Hugo and Boone resolve this misapprehension and become friends in a joint search for the Ogopogo concludes this series opener. Potter keeps the third-person narrative tightly focused on Hugo’s perspective, and the details she uses to flesh out the Sasquatch world are delightfully playful. Sala’s drawings depict a homey Sasquatch cavern community, Boone as a freckled, white boy, and Hugo as a hairily benevolent behemoth.
A charming friendship story and great setup for future books. (final art unseen) (Fantasy. 5-9)Pub Date: April 10, 2018
ISBN: 978-1-4197-2859-4
Page Count: 144
Publisher: Amulet/Abrams
Review Posted Online: Dec. 10, 2017
Kirkus Reviews Issue: Jan. 15, 2018
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