ARMANDO AND THE BLUE TARP SCHOOL

This affecting tale—of a plein-air schoolroom in a deeply impoverished neighborhood populated by pepenadores (trash pickers)—springs from the real deal. Fine and Josephson have taken the story of David Lynch, who first went to Mexico in 1980 to teach children living in the Tijuana city dump, and fashioned it into a picture book. Fictional, yes, but only marginally so. Their story pivots around Armando, who scours the dump with his father all day long for anything of worth, and his thirst to join the classroom: a blue tarp on the bare ground. Though Armando’s income is vital to the family, his parents come to understand that only an education will allow him to eclipse pepenadore life. The simplicity of the story is what lets it run deep, its bite of realism; no sermons are being delivered here, just a door thrown open to life under reduced circumstances (though Sosa’s artwork, with its look of leaded glass, conveys a benevolent quality to the proceedings). Without patronizing, Señor David defines the essence of humanitarianism, while the pepenadores, ever searching for beauty in the beast, find gold—and prize it. (Picture book. 5-9)

Pub Date: Oct. 1, 2007

ISBN: 978-1-58430-278-0

Page Count: 48

Publisher: Lee & Low Books

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 15, 2007

Did you like this book?

No Comments Yet

ROOM ON THE BROOM

Each time the witch loses something in the windy weather, she and her cat are introduced to a new friend who loves flying on her broom. The fluid rhyming and smooth rhythm work together with one repetitive plot element focusing young attention spans until the plot quickens. (“Is there room on the broom for a blank such as me?”) When the witch’s broom breaks, she is thrown in to danger and the plot flies to the finish. Her friends—cat, dog, frog, and bird—are not likely to scare the dragon who plans on eating the witch, but together they form a formidable, gooey, scary-sounding monster. The use of full-page or even page-and-a-half spreads for many of the illustrations will ensure its successful use in story times as well as individual readings. The wart-nosed witch and her passengers make magic that is sure to please. Effective use of brilliant colors set against well-conceived backgrounds detail the story without need for text—but with it, the story—and the broom—take off. (Picture book. 6-8)

Pub Date: Sept. 1, 2001

ISBN: 0-8037-2557-0

Page Count: 32

Publisher: Dial Books

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 1, 2001

Did you like this book?

No Comments Yet

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

CLAYMATES

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 29, 2017

Kirkus Reviews Issue: April 15, 2017

Did you like this book?

No Comments Yet
more