by Edith Schloss ; edited by Mary Venturini & Jacob Burckhardt ‧ RELEASE DATE: Nov. 9, 2021
A captivating memoir of a life in art.
An intimate portrait of artists and their worlds.
From assorted notes and manuscripts, Burckhardt and Venturini have assembled a vibrant memoir by artist and critic Edith Schloss (1919-2011), Burckhardt’s mother, who lived and worked in New York City in the 1940s and ’50s and, after 1962, in Italy. Born into an affluent Jewish family in Germany, Schloss was sent abroad to school; by 1938, she found her way to London and, a few years later, arrived in New York. She enrolled at the Art Students League and soon moved to Chelsea, where artists had taken over cheap, barely habitable lofts—“huge stages for work and for a whole new free way of living.” Her circle quickly expanded to include Fairfield Porter; William de Kooning (she was dazzled by his “absolute sunstruck power”); his acerbic wife, Elaine; photographer Rudy Burckhardt, whom Schloss later married; composers Elliott Carter and John Cage; poets Frank O’Hara and Kenneth Koch; and scores of others. At the time, most were aspiring rather than acclaimed artists. “In those days,” writes Schloss, “nobody was anybody. Friends were friends, and they brought you their pictures,” sometimes for criticism and encouragement, sometimes as gifts. But this splendid memoir is more than a who’s who of famous figures. From Edwin Denby, Schloss learned to “look at the quotidian, look at the world around you,” and “celebrate it the best you can.” Shrewdly observant, Schloss conveys in painterly prose the spirited individuals whose lives she shared and the worlds they inhabited: Porter’s bedroom walls, painted “milk blue or a raw bluey-pink”; Franz Kline, “Bogart-like cool and melancholy”; the “fugitive” sparkle of Denby’s flashing eyes; and, not least, the creation of abstract art from “the marvelous movement of the loaded brush, the flow of paint on paint.” The book is generously illustrated with snapshots and artworks and appended with a biographical essay and glossary.
A captivating memoir of a life in art.Pub Date: Nov. 9, 2021
ISBN: 978-0-374-19008-8
Page Count: 336
Publisher: Farrar, Straus and Giroux
Review Posted Online: Sept. 6, 2021
Kirkus Reviews Issue: Oct. 1, 2021
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Kamala Harris ‧ RELEASE DATE: Sept. 23, 2025
A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.
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New York Times Bestseller
An insider’s chronicle of a pivotal presidential campaign.
Several months into the mounting political upheaval of Donald Trump’s second term and following a wave of bestselling political exposés, most notably Jake Tapper and Alex Thompson’s Original Sin on Joe Biden’s health and late decision to step down, former Vice President Harris offers her own account of the consequential months surrounding Biden’s withdrawal and her swift campaign for the presidency. Structured as brief chapters with countdown headers from 107 days to Election Day, the book recounts the campaign’s daily rigors: vetting a running mate, navigating back-to-back rallies, preparing for the convention and the debate with Trump, and deflecting obstacles in the form of both Trump’s camp and Biden’s faltering team. Harris aims to set the record straight on issues that have remained hotly debated. While acknowledging Biden’s advancing decline, she also highlights his foreign-policy steadiness: “His years of experience in foreign policy clearly showed….He was always focused, always commander in chief in that room.” More blame is placed on his inner circle, especially Jill Biden, whom Harris faults for pushing him beyond his limits—“the people who knew him best, should have realized that any campaign was a bridge too far.” Throughout, she highlights her own qualifications and dismisses suggestions that an open contest might have better served the party: “If they thought I was down with a mini primary or some other half-baked procedure, I was quick to disabuse them.” Facing Trump’s increasingly unhinged behavior, Harris never openly doubts her ability to confront him. Yet she doesn’t fully persuade the reader that she had the capacity to counter his dominance, suggesting instead that her defeat stemmed from a lack of time—a theme underscored by the urgency of the book’s title. If not entirely sanguine about the future, she maintains a clear-eyed view of the damage already done: “Perhaps so much damage that we will have to re-create our government…something leaner, swifter, and much more efficient.”
A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.Pub Date: Sept. 23, 2025
ISBN: 9781668211656
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: Sept. 23, 2025
Kirkus Reviews Issue: Nov. 15, 2025
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