Aside from the lack of continuity of the photographs, as an introduction to lacrosse, this book is a score.
An introduction to the sport of lacrosse for beginners.
Sports Illustrated for Kids presents the basic principles and vocabulary of lacrosse, including the equipment, where it is played, and the positions of each player, as well as describing the differences between women’s and men’s lacrosse. The account follows the format of a game, with scoreboard-type boxes that keep track of the time and quarter. Vocabulary words, such as “cradle,” “face-off,” “slashing,” and “offsides,” are written in big block letters to emphasize importance. Collaged-in photographs of real players engaged in particular actions of the game appear on bright, colored backgrounds. These photographs are of players on different teams, so with each turn of the page there is a loss of continuity. Two little cartoon characters—a boy and girl—appear on each page and add silly commentary and comedic actions, like bringing a vacuum into the game to steal the ball. Other thought and speech bubbles are slapped on above the real-life photographs, adding often mindless but humorous commentary. The writing gives detailed explanations of what to expect in the game, but some of the illustrations can be confusing. Most of the players in the photographs appear to be white; the cartoon girl has brown skin, and the cartoon boy is pale.
Aside from the lack of continuity of the photographs, as an introduction to lacrosse, this book is a score. (Informational picture book. 4-8)Pub Date: April 17, 2018
ISBN: 978-1-68330-078-6
Page Count: 48
Publisher: Liberty Street/Time Inc. Books
Review Posted Online: Feb. 12, 2018
Kirkus Reviews Issue: March 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A heartwarming testament to music’s emotional power.
Music moves a nonverbal child to speak.
The narrator explains that Ronan was “born quiet. Some days he hardly says a word.” Today, when Father and Mother suggest outings to the beach or park, he’s quiet. But he looks up when Grandfather bursts in and proposes attending a concert. With refreshing optimism, Grandfather proclaims it “an adventure,” though Ronan’s parents worry about the “challenge” and “risk” of taking him to a performance. And when Ronan, his dog, and Grandfather reach Symphony Hall, an adventure it is. When the music starts, Ronan is swept away in a whirl of notes. Collectively, the instruments sound like “a sky full of stars,” sending him and his cheerful pup into a space-themed reverie. Boss notes that “the darker instruments sound cool and frightening” and the lighter ones sound “warm and friendly” but does not name the instruments, a missed opportunity to deepen readers’ understanding of the music enthralling Ronan. Audience and orchestra members alike are moved to laughter and applause when the music stops, and an awed Ronan utters his first “WOW!” Kheiriyeh’s endearing, pastel-hued cartoon illustrations convey Ronan’s astonishment and joy. Though an author’s note explains that the story is based on an actual nonverbal child’s experience of a Mozart piece in 2019, details such as Mother’s pearls and housedress and Grandfather’s finned car evoke a bucolic 1950s setting. Ronan and his family present white; background characters are racially diverse.
A heartwarming testament to music’s emotional power. (Picture book. 4-6)Pub Date: April 2, 2024
ISBN: 9781534499713
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: Jan. 20, 2024
Kirkus Reviews Issue: Feb. 15, 2024
Blandly laudatory.
The iconic animator introduces young readers to each “happy place” in his life.
The tally begins with his childhood home in Marceline, Missouri, and climaxes with Disneyland (carefully designed to be “the happiest place on Earth”), but the account really centers on finding his true happy place, not on a map but in drawing. In sketching out his early flubs and later rocket to the top, the fictive narrator gives Ub Iwerks and other Disney studio workers a nod (leaving his labor disputes with them unmentioned) and squeezes in quick references to his animated films, from Steamboat Willie to Winnie the Pooh (sans Fantasia and Song of the South). Eliopoulos incorporates stills from the films into his cartoon illustrations and, characteristically for this series, depicts Disney as a caricature, trademark mustache in place on outsized head even in childhood years and child sized even as an adult. Human figures default to white, with occasional people of color in crowd scenes and (ahistorically) in the animation studio. One unidentified animator builds up the role-modeling with an observation that Walt and Mickey were really the same (“Both fearless; both resourceful”). An assertion toward the end—“So when do you stop being a child? When you stop dreaming”—muddles the overall follow-your-bliss message. A timeline to the EPCOT Center’s 1982 opening offers photos of the man with select associates, rodent and otherwise. An additional series entry, I Am Marie Curie, publishes simultaneously, featuring a gowned, toddler-sized version of the groundbreaking physicist accepting her two Nobel prizes.
Blandly laudatory. (bibliography) (Picture book/biography. 6-8)Pub Date: Sept. 10, 2019
ISBN: 978-0-7352-2875-7
Page Count: 40
Publisher: Dial Books
Review Posted Online: Aug. 17, 2019
Kirkus Reviews Issue: Sept. 1, 2019
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