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THE INVENTION OF ANGELA CARTER

A BIOGRAPHY

Expansive and lavish, this outstanding biography does much to demythologize Carter, revealing her to be a singular writer of...

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2017


  • National Book Critics Circle Finalist

The first comprehensive biography of the acclaimed British author.

In his debut, Gordon (English/King’s Coll. London) has done yeoman’s work crafting an authorized, sensitive, and well-written biography of an ebullient writer whose “ novels, short stories and journalism…stood defiantly apart from the work of her contemporaries.” She was largely ignored until she died (1940-1992), when the mythmaking began in earnest. Gordon focuses on how “she invented herself.” His portrait of the prolific writer who described herself as a “born fabulist” travels from her “shy, introverted childhood, through a nervy, aggressively unconventional youth, to a happy, self-confident middle age.” Born into a “matriarchal clan,” her mother wanted to control her, but her grandmother raised her “as a tough, arrogant and pragmatic Yorkshire child.” After school, Carter became a journalist and married a folk musician. College came later. Exposure to Baudelaire and Rimbaud convinced her she wanted to be a writer. After a few short stories, she wrote her first novel, Shadow Dance, in 1966. This was followed by a “malevolent fairy tale,” The Magic Toyshop. These were surreal gothic/horror tales written in a baroque and arcane “style of luxuriant beauty.” Reading Michael Moorcock and J.G. Ballard added science fiction to her palette, resulting in Heroes and Villains, a “post-apocalyptic fairy tale.” Gordon notes that The Infernal Desire Machines of Dr Hoffman, jam-packed with her social and feminist principles, showed how she could transform her “day-to-day experience into strange, hallucinatory art,” and he calls the controversial The Sadeian Woman and the Ideology of Pornography “a work of brilliantly sustained cultural criticism.” Always the iconoclast, Carter had her supporters, like Salman Rushdie, Robert Coover, and director Neil Jordan. Gordon’s narrative has a beautiful, effortless flow as he seamlessly moves back and forth from the life to the works.

Expansive and lavish, this outstanding biography does much to demythologize Carter, revealing her to be a singular writer of her time.

Pub Date: March 1, 2017

ISBN: 978-0-19-062684-6

Page Count: 544

Publisher: Oxford Univ.

Review Posted Online: Dec. 24, 2016

Kirkus Reviews Issue: Jan. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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