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AMERICAN HEROES

PROFILES OF MEN AND WOMEN WHO SHAPED EARLY AMERICA

Outstanding.

From a body of work stretching back seven decades, a Pulitzer Prize–winning historian selects 17 essays on characters large and small who illuminate early American history.

Morgan (The Genuine Article: A Historian Looks at Early America, 2004, etc.) offers something new about well-known public heroes, identifying, for example, those issues over which the famously pragmatic Benjamin Franklin refused to compromise. The author shows how John Winthrop’s exhortations to the Bay colonists brought “disagreements to a happy issue,” preventing a Jamestown-style collapse, and why Anne Hutchinson’s dissent, while attractive to our modern sensibilities, posed such a serious threat to the Puritans. He also pens a superb 40-page sketch of William Penn’s character and career. Morgan excels, though, at limning lesser-known figures. He traces the tortuous marital history of Puritan heiress Anna Keayne, examines the Puritan caricature Michael Wigglesworth, assesses the historical reputations of Yale presidents Ezra Stiles and Timothy Dwight and toasts the courage of Giles Corey and Mary Easty, who nearly died for their refusal to submit to Salem’s witchcraft madness. The author also demonstrates that groups can be heroes: the Arawak Indians of Hispaniola, whose demise constitutes the sad first chapter of the European transformation of the Western Hemisphere; the Antifederalists, whose important opposition to the Constitution’s ratification led to the Bill of Rights. This uniformly strong collection boasts an insightful, even startling, observation—“Government requires make-believe”—on nearly every page. If the concluding appreciation of Harvard’s famed historian Perry Miller seems out of place, Morgan may be forgiven for honoring a man who, like Morgan himself, has left us with the “record of a mind” that has thought deeply and creatively about our history.

Outstanding.

Pub Date: May 1, 2009

ISBN: 978-0-393-07010-1

Page Count: 352

Publisher: Norton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2009

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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