Proust meets John Irving in this grand and delightful comedy of manners.
Twin girls from Texas oil money go on to fabulous destinies.
“We moved as far away from Daddy as we could get—to Colombia in my case, to Paris in yours. Neither of us lives in our native language. I’m called Sister and you’re called Baroness. We never returned to Texas.” The National Book Foundation gave White a lifetime achievement award in 2019 and his latest book might be seen as a fun thank-you gift to readers. Though this high-spirited confection is something of a departure for an author known as a cultural critic and chronicler of contemporary gay culture, it's steeped in White’s ironic worldview and mines both his well-known obsessions (France, the French, their language) and lesser-known ones (Catholicism, convent life, the path to sainthood). And, come to think of it, there are plenty of gay and bi characters, and really eloquent descriptions of genitalia. “Our mother had named us out of a movie fan magazine, Yvonne and Yvette, but she was so ignorant she said our names “Why-Von” and “Why-Vet”…We were 14 and real Texas beauties with our blond hair, tiny ears, long legs, and high breasts, though our...mother made us cover them up with extra-large blouses." After their mother died and their father remarried, "All that changed under Bobbie Jean. She made us say our names in the proper French way and corrected our old relatives who mispronounced them—'I’m sorry,' Bobbie Jean said, 'but we’re not that country.' " By the time the girls’ story ends in far-flung corners of the globe with both high crimes and miracles to their names, they are certainly not country anymore. Narrated by Yvonne with long letters from Yvette, including cameos by Givenchy, Audrey Hepburn, and Jacqueline Bouvier, the novel brims with wit and style.
Proust meets John Irving in this grand and delightful comedy of manners.Pub Date: Aug. 4, 2020
ISBN: 978-1-63557-255-1
Page Count: 304
Publisher: Bloomsbury
Review Posted Online: May 18, 2020
Kirkus Reviews Issue: June 1, 2020
PERSPECTIVES
PERSPECTIVES
IN THE NEWS
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
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