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FAULKNER, MISSISSIPPI

An elegant, erudite, and at times baffling reconsideration of Faulkner by a giant of Caribbean literature. A Martinican who first encountered Faulkner in French translation, Glissant launches his reappraisal after touring the novelist’s house, Rowan Oak. His reaction to the poet laureate of the past-haunted South is filtered through his puzzled attempts to apprehend how the contemporary South is emblematic of the American whole—banal roadsides cluttered with fast-food restaurants, the cultural nonchalance toward violence—making this part travelogue, part cultural and literary criticism. Glissant’s general affability is demonstrated by his address of race in Faulkner: “How can you reduce Faulkner’s pantheistic Comedy to what he did or did not say about the race question in the United States? But how can you fail to take this question into consideration?” He argues for the importance of the exercise, contending that “Faulkner’s oeuvre will be complete when it is revisited and made ‘effective’ by African-Americans,” and he credits Toni Morrison with beginning the project. Glissant brings a unique perspective to Faulkner’s work: as a Martinican, he comes from a colonial culture built on a slave-based plantation economy like the South’s (and thus views slavery with a broader perspective than most Americans); as an outsider, he’s both an objective analyst and something of an awestruck tourist. Glissant is good at sketching the big picture of Faulkner’s lifework (how the novels fit together, what role the stories play) and small details (he charts the three modes of Faulkner’s writing, “the hidden, the described, and the inexpressible” and sheds light on how the author’s trademark style contributes to his themes). It’s the middle ground—the discussion of individual novels—that’s sometimes hard to follow. The difficulty of analyzing Faulkner’s entire body of work in a short book may be due more to the novels’ complexity (they don’t lend themselves to brief synopses) than to any shortcomings of Glissant’s. A sharp, challenging, and wholly unique tour of Yoknapatawpha County.

Pub Date: April 1, 1999

ISBN: 0-374-15392-2

Page Count: 320

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1999

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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