A darkly unsettling but highly readable novel by a leading voice in Latin American fiction.
In his latest short but powerful autobiographical novel, Halfon continues reflecting on the traumas of the Holocaust while raising the question of whether they are beyond the scope of fiction.
In 1984, three years after his family moved to Florida to escape the brutal civil war in Guatemala, 13-year-old Eduardo and his younger brother are sent back to their homeland to participate in a Jewish children’s camp. Although his parents don’t say so, Halfon thinks they wanted to “restore” their Americanized children to Judaism. But the camp turns out to be a horrific place—a simulated concentration camp where the idea is to mistreat the kids into appreciating how evil the Nazis were. “Jewish children…need to learn as early as possible…that everyone else is an antisemite, that the whole world revolves around this most ancient hatred,” says their counselor, Samuel Blum, who wears an SS uniform and a swastika armband and first appears with a tarantula crawling down his arm. A desperate Eduardo escapes the camp, getting lost and confused in the mountains but finding safe haven with a young Indigenous woman. But Halfon, who witnessed the post-Auschwitz delirium of his Polish grandfather, will never be able to escape such painful memories—or the ones he creates himself. “Is imagination so fanciful and audacious that it can invent a memory and then transform it into something we understand as true?” he asks, haunted by a “No Dogs or Jews Allowed” sign he may or may not have seen as a little kid outside his unbothered father’s Florida golf club. A winning storyteller with a subtle sense of irony, Halfon moves with ease through experiences past and present, here and there, trusting his powers of observation to draw readers in. Refusing to traffic in suffering, he makes us feel the horrors on a deeper level.
A darkly unsettling but highly readable novel by a leading voice in Latin American fiction.Pub Date: May 19, 2026
ISBN: 9781954276567
Page Count: 192
Publisher: Bellevue Literary Press
Review Posted Online: Feb. 16, 2026
Kirkus Reviews Issue: March 15, 2026
Sharp writing, vivid characters, and puzzle box plotting bring the trilogy to a ringing conclusion.
A dark fantasy set on the Yale campus ends with a bang.
Galaxy “Alex” Stern of Lethe House, one of Yale’s storied secret societies, has been to hell and back. That was in Hell Bent (2023), the middle book in Bardugo’s Ninth House trilogy, where the secret societies wield not just temporal power but magic as well. Hell Bent ended with Alex and her friends rescuing her crush, mentor, and fellow Lethe officer, Daniel “Darlington” Arlington V, from eternal torment. One small wrinkle: The demon Golgarot used Alex’s blood to wedge a door open between Hell and New Haven, and his minions are slipping through. Also, one of the group has turned into a vampire, and Darlington is now half demon. “He’d given up some part of himself to preserve the rest of his human soul. He’d become both prisoner and warden.” As the final book opens, the exhausted crew are hunting yet another monster. They can’t keep this up forever; they will have to find a way to close the portal. Alex has the energetic, driven melancholy of the hard-boiled, dark fantasy heroine she is. She believes “magic is real, but safe is make-believe,” as her roommate puts it. An open hellmouth, a supportive scholar, a vampire whose story arcs precariously toward redemption, a gentleman fiend who gets literally horny when aroused, a California girl with rare supernatural powers who cracks wise as she fights fiends—the series has a lot in common with Buffy the Vampire Slayer and its spawn, but Bardugo’s way with words and her keen social observation keep the book from feeling derivative. A demon’s classic New England house is decorated with “ruthlessly inoffensive watercolor seascapes”; Lethe’s board president “wore the new uniform of Wall Street: a dress shirt, khakis, and a fleece with a Yale Y embroidered over the heart, as if he were on his way to a hostile takeover followed by some light rock climbing.” Will Alex and her friends get the door shut without losing Darlington? Bardugo injects her protagonist with such a convincing mix of cynicism and hope that failure seems like a distinct possibility.
Sharp writing, vivid characters, and puzzle box plotting bring the trilogy to a ringing conclusion.Pub Date: Sept. 15, 2026
ISBN: 9781250884312
Page Count: 496
Publisher: Flatiron Books
Review Posted Online: Sept. 15, 2026
Kirkus Reviews Issue: Nov. 1, 2026
The queen of social activist novels has done it again. Impressive, important, and fun to read.
The World Trade Center attacks are at the center of an intricate, twisty family drama spanning decades in both directions.
“You could brace for your sister to die of a terminal illness, only to have your healthy sibling killed in a random car wreck. You could carry a baby safely to term and then, on a bright blue day in September, walk into a building that collapsed beneath your feet.” Or you could be a character in a Jodi Picoult novel and face all of the above and much, much more. Fans of My Sister’s Keeper (2004) will notice a reference to that novel in the preceding quote and be glad to hear a character from that book is back. During the Covid-19 pandemic, former teenage delinquent Jesse Fitzgerald, now a detective on the Providence, Rhode Island, police force, meets Molly Ambrose, a 19-year-old prodigy who runs the state’s emergency preparedness and response program. “Despite the fact that there were fifteen years between us and we both had enough baggage to fill a cargo hold,” as Molly puts it, the two fall madly in love. The baggage she’s referring to includes, on her side, a mother who died on 9/11 when Molly was less than three months old. Picoult supplies her signature delightful banter and gift for depicting passion and romance to win the reader’s sympathy for this possibly questionable match between dedicated public servants, whose favorite game at bedtime is “Who can think of the most terrifying worst-case scenario?” Very little more can be revealed without spoilers, but trigger warnings for this book would be a long list indeed, ranging from suicide and filicide to rape and mental illness (welcome to Picoultland!). Subplots visit evangelical and Navajo cultures as well as the ins and outs of polygraphy. Make sure to read the afterword in which Picoult explains her real-life sources of inspiration.
The queen of social activist novels has done it again. Impressive, important, and fun to read.Pub Date: Sept. 15, 2026
ISBN: 9780593726259
Page Count: 464
Publisher: Ballantine
Review Posted Online: June 15, 2026
Kirkus Reviews Issue: July 15, 2026
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