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THE INVENTOR AND THE TYCOON

A GILDED AGE MURDER AND THE BIRTH OF MOVING PICTURES

A skillfully written tale of technology and wealth, celebrity and murder and the nativity of today’s dominant art and...

National Book Award winner Ball (Writing/Yale Univ.; The Genetic Strand: Exploring a Family History Through DNA, 2007, etc.) returns with a complex story about railroad tycoon Leland Stanford and the murdering man who for a time was his protégé, pioneering photographer Eadweard Muybridge.

Muybridge, as he writes, altered the spelling of his name about as often as a bored high school student. He sometimes went by “Helios.” (One name he didn’t use, but would have fit, was Edweird.) Ball fractures conventional chronology like a dry twig, rearranging the pieces into an appealing display. He begins on January 16, 1880, the day that Muybridge first displayed for Stanford and his guests the moving pictures of a running horse on a device Muybridge called a zoogyroscope, a device that projected images on a revolving disc. Ball tells the stories of Stanford (who rose from grocer to railroad magnate), the multiple careers of Muybridge, the technology of moving images—and, of course, the murder. Muybridge married Flora Downs in 1870, but his photography business took him away for lengthy periods, and Flora, back home, had needs—which she satisfied with Harry Larkyns (whose story Ball also relates), a handsome womanizer whom the jealous husband shot in 1874. Muybridge went on trial, but a sympathetic jury found him not guilty—despite witnesses and his confession. Ball charts Muybridge’s subsequent return to favor with Stanford, who hired him to photograph his new San Francisco mansion and who endowed his research into the science of the motion picture. But they eventually fell out (two large egos), and Muybridge tumbled into obscurity after Thomas Edison’s technology eclipsed his own.

A skillfully written tale of technology and wealth, celebrity and murder and the nativity of today’s dominant art and entertainment medium.

Pub Date: Jan. 22, 2013

ISBN: 978-0-385-52575-6

Page Count: 496

Publisher: Doubleday

Review Posted Online: Oct. 21, 2012

Kirkus Reviews Issue: Nov. 15, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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