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THE IMAGE OF OUR LORD

A dark, entangled, eerily insinuating first novel concerning the labyrinthine power-politics of the 14th-century Roman Catholic Church, and the intricate knot of conspiracies among clashing clerics and kings. At the center here is the humbly born Cistercian friar (he will become Pope Benedict XII) who grows in authority—as well as in cynical wisdom—as he searches for what will become known as the Shroud of Turin. Brother Jacques Fornier is stunned to be called before the ruthless Bernard de Caen, Inquisitor General for Provence, and, further, to be told that he and the young dispossessed knight, Nicholas de Lirey, will be sent to carry out a secret mission whose failure might mean the total control of the Church by King Philip the Fair of France. Oddly, a lot depends on the secrets of one prisoner—aging Pietro of Ocre, a preceptor of the order of the Temple and descendant of the counts of Ocre. (The now-destroyed Templars had aimed for control of the Church through a puppet pope.) It is some time, plus thickets of dangers undergone, before the goal of the quest—an ``image''—is apparent to Jacques, whose sleuthing leads to Ocre, in Italy. Before Jacques rides off with the''image,'' there will be perilous journeys, during which Jacques and Nicholas enjoy growing mutual respect; audiences with powerful men—from a weak Pope Clement to a terrifying King Philip—whose purposes and plots are mainly hidden; interrogations, hideous tortures and deaths; and, at the close, with the Shroud discovered, the hacking away at each other of King Philip's men, mercenaries, a remnant of Templar knights, and clerics as Jacques rides away with the prize, knowing its falsity. He has real power now, plus a knowledge of human folly. A thorny, intelligent medieval tale of nasty business in the name of religion.

Pub Date: May 23, 1991

ISBN: 0-312-05876-4

Page Count: 304

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1991

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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