The middle volume of the Iremonger trilogy escalates in both suspense and strangeness.
In a fantastical Victorian London, the Iremongers have become wealthy, eccentric outcasts through managing the city’s rubbish, protecting themselves by the secret ability to change people into talismanic objects—and vice versa. After defying his family, Clod Iremonger is transformed into a gold coin, while his beloved Lucy Pennant becomes a clay button, cast into the vast heaps of garbage. As Clod is passed around by the downtrodden folk of Foulsham and Lucy befriends Binadit (the exiled “It of the Heaps”), the macabre past, despicable doings, and sinister plans of the Iremonger clan are slowly unveiled. Along the way, Carey’s splendidly deranged imagination and deliciously peculiar prose are on display, introducing a Dickensian cast simultaneously pathetic and grotesque. The lead couple gains depth as well; sweet, kind Clod, “the friend of things,” discovers unexpected talents and surprising fortitude, while cynical, light-fingered Lucy reveals a new, fierce tenderness and revolutionary zeal. Their parallel storylines dance without intersecting, finally reuniting only to be torn apart in a climax of apocalyptic industrial horror. Beyond the gripping adventure and creepy illustrations, the premise demands consideration of the tendency of raw capitalism to make people and things both interchangeable and disposable.
A story wondrous fine, full of terrors and marvels. (Horror. 11 & up)Pub Date: July 7, 2015
ISBN: 978-1-4683-0954-6
Page Count: 336
Publisher: Overlook
Review Posted Online: April 1, 2015
Kirkus Reviews Issue: April 15, 2015
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Engrossing, contemplative, and as heart-wrenching as the title promises.
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What would you do with one day left to live?
In an alternate present, a company named Death-Cast calls Deckers—people who will die within the coming day—to inform them of their impending deaths, though not how they will happen. The End Day call comes for two teenagers living in New York City: Puerto Rican Mateo and bisexual Cuban-American foster kid Rufus. Rufus needs company after a violent act puts cops on his tail and lands his friends in jail; Mateo wants someone to push him past his comfort zone after a lifetime of playing it safe. The two meet through Last Friend, an app that connects lonely Deckers (one of many ways in which Death-Cast influences social media). Mateo and Rufus set out to seize the day together in their final hours, during which their deepening friendship blossoms into something more. Present-tense chapters, short and time-stamped, primarily feature the protagonists’ distinctive first-person narrations. Fleeting third-person chapters give windows into the lives of other characters they encounter, underscoring how even a tiny action can change the course of someone else’s life. It’s another standout from Silvera (History Is All You Left Me, 2017, etc.), who here grapples gracefully with heavy questions about death and the meaning of a life well-lived.
Engrossing, contemplative, and as heart-wrenching as the title promises. (Speculative fiction. 13-adult).Pub Date: Sept. 5, 2017
ISBN: 978-0-06-245779-0
Page Count: 384
Publisher: HarperTeen
Review Posted Online: June 5, 2017
Kirkus Reviews Issue: June 15, 2017
Categories: TEENS & YOUNG ADULT FICTION | TEENS & YOUNG ADULT SOCIAL THEMES
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Riveting, brutal and beautifully told.
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A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.
Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.
Riveting, brutal and beautifully told. (Fiction. 14 & up)Pub Date: May 13, 2014
ISBN: 978-0-385-74126-2
Page Count: 240
Publisher: Delacorte
Review Posted Online: March 17, 2014
Kirkus Reviews Issue: April 1, 2014
Categories: TEENS & YOUNG ADULT FAMILY | TEENS & YOUNG ADULT SOCIAL THEMES
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