A story wondrous fine, full of terrors and marvels.

FOULSHAM

From the Iremonger series , Vol. 2

The middle volume of the Iremonger trilogy escalates in both suspense and strangeness.

In a fantastical Victorian London, the Iremongers have become wealthy, eccentric outcasts through managing the city’s rubbish, protecting themselves by the secret ability to change people into talismanic objects—and vice versa. After defying his family, Clod Iremonger is transformed into a gold coin, while his beloved Lucy Pennant becomes a clay button, cast into the vast heaps of garbage. As Clod is passed around by the downtrodden folk of Foulsham and Lucy befriends Binadit (the exiled “It of the Heaps”), the macabre past, despicable doings, and sinister plans of the Iremonger clan are slowly unveiled. Along the way, Carey’s splendidly deranged imagination and deliciously peculiar prose are on display, introducing a Dickensian cast simultaneously pathetic and grotesque. The lead couple gains depth as well; sweet, kind Clod, “the friend of things,” discovers unexpected talents and surprising fortitude, while cynical, light-fingered Lucy reveals a new, fierce tenderness and revolutionary zeal. Their parallel storylines dance without intersecting, finally reuniting only to be torn apart in a climax of apocalyptic industrial horror. Beyond the gripping adventure and creepy illustrations, the premise demands consideration of the tendency of raw capitalism to make people and things both interchangeable and disposable.

A story wondrous fine, full of terrors and marvels. (Horror. 11 & up)

Pub Date: July 7, 2015

ISBN: 978-1-4683-0954-6

Page Count: 336

Publisher: Overlook

Review Posted Online: March 31, 2015

Kirkus Reviews Issue: April 15, 2015

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This tear-jerker will leave readers wanting to follow the next chapter in Darius’ life.

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  • Asian/Pacific American Award for Literature Winner

DARIUS THE GREAT IS NOT OKAY

From the Darius the Great series , Vol. 1

Darius Kellner suffers from depression, bullying by high school jocks, and a father who seems to always be disappointed in him.

When Darius’ grandfather becomes terminally ill, Darius, along with his parents and younger sister, travels to Iran for the first time in his life. Iranian on his mother’s side and white American on his father’s side, Darius never quite fits in. He’s mocked for his name and nerdy interests at Chapel Hill High School in Portland, Oregon, and doesn’t speak enough Farsi to communicate with his Iranian relatives either. When he arrives in Iran, learning to play the Persian card game Rook, socializing, and celebrating Nowruz with a family he had never properly met before is all overwhelming and leaves Darius wondering if he’ll ever truly belong anywhere. But all that changes when Darius meets Sohrab, a Bahá’í boy, in Yazd. Sohrab teaches Darius what friendship is really about: loyalty, honesty, and someone who has your back in a football (soccer) match. For the first time in a long time, Darius learns to love himself no matter what external forces attempt to squash his confidence. Khorram’s debut novel is filled with insight into the lives of teens, weaving together the reality of living with mental illness while also dealing with identity and immigration politics.

This tear-jerker will leave readers wanting to follow the next chapter in Darius’ life. (Fiction. 12-adult)

Pub Date: Aug. 28, 2018

ISBN: 978-0-525-55296-3

Page Count: 320

Publisher: Dial Books

Review Posted Online: June 17, 2018

Kirkus Reviews Issue: July 1, 2018

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This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

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GIRL IN PIECES

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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