A deep and grimly whimsical exploration of what it means to be a son, a father, and an artist.

THE SWALLOWED MAN

A retelling of Pinocchio from Geppetto's point of view.

The novel purports to be the memoirs of Geppetto, a carpenter from the town of Collodi, written in the belly of a vast fish that has swallowed him. Fortunately for Geppetto, the fish has also engulfed a ship, and its supplies—fresh water, candles, hardtack, captain’s logbook, ink—are what keep the Swallowed Man going. (Collodi is, of course, the name of the author of the original Pinocchio.) A misfit whose loneliness is equaled only by his drive to make art, Geppetto scours his surroundings for supplies, crafting sculptures out of pieces of the ship’s wood, softened hardtack, mussel shells, and his own hair, half hoping and half fearing to create a companion once again that will come to life. He befriends a crab that lives all too briefly in his beard, then mourns when “she” dies. Alone in the dark, he broods over his past, reflecting on his strained relationship with his father and his harsh treatment of his own “son”—Pinocchio, the wooden puppet that somehow came to life. In true Carey fashion, the author illustrates the novel with his own images of his protagonist’s art: sketches of Pinocchio, of woodworking tools, of the women Geppetto loved; photos of driftwood, of tintypes, of a sculpted self-portrait with seaweed hair. For all its humor, the novel is dark and claustrophobic, and its true subject is the responsibilities of creators. Remembering the first time he heard of the sea monster that was to swallow him, Geppetto wonders if the monster is somehow connected to Pinocchio: “The unnatural child had so thrown the world off-balance that it must be righted at any cost, and perhaps the only thing with the power to right it was a gigantic sea monster, born—I began to suppose this—just after I cracked the world by making a wooden person.” Later, contemplating his self-portrait bust, Geppetto asks, “Monster of the deep. Am I, then, the monster? Do I nightmare myself?”

A deep and grimly whimsical exploration of what it means to be a son, a father, and an artist.

Pub Date: Jan. 26, 2021

ISBN: 978-0-593-18887-3

Page Count: 208

Publisher: Riverhead

Review Posted Online: Sept. 30, 2020

Kirkus Reviews Issue: Oct. 15, 2020

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For devoted Hannah fans in search of a good cry.

THE FOUR WINDS

The miseries of the Depression and Dust Bowl years shape the destiny of a Texas family.

“Hope is a coin I carry: an American penny, given to me by a man I came to love. There were times in my journey when I felt as if that penny and the hope it represented were the only things that kept me going.” We meet Elsa Wolcott in Dalhart, Texas, in 1921, on the eve of her 25th birthday, and wind up with her in California in 1936 in a saga of almost unrelieved woe. Despised by her shallow parents and sisters for being sickly and unattractive—“too tall, too thin, too pale, too unsure of herself”—Elsa escapes their cruelty when a single night of abandon leads to pregnancy and forced marriage to the son of Italian immigrant farmers. Though she finds some joy working the land, tending the animals, and learning her way around Mama Rose's kitchen, her marriage is never happy, the pleasures of early motherhood are brief, and soon the disastrous droughts of the 1930s drive all the farmers of the area to despair and starvation. Elsa's search for a better life for her children takes them out west to California, where things turn out to be even worse. While she never overcomes her low self-esteem about her looks, Elsa displays an iron core of character and courage as she faces dust storms, floods, hunger riots, homelessness, poverty, the misery of migrant labor, bigotry, union busting, violent goons, and more. The pedantic aims of the novel are hard to ignore as Hannah embodies her history lesson in what feels like a series of sepia-toned postcards depicting melodramatic scenes and clichéd emotions.

For devoted Hannah fans in search of a good cry.

Pub Date: Feb. 9, 2021

ISBN: 978-1-2501-7860-2

Page Count: 464

Publisher: St. Martin's

Review Posted Online: Nov. 18, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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A whimsical fantasy about learning what’s important in life.

THE MIDNIGHT LIBRARY

An unhappy woman who tries to commit suicide finds herself in a mysterious library that allows her to explore new lives.

How far would you go to address every regret you ever had? That’s the question at the heart of Haig’s latest novel, which imagines the plane between life and death as a vast library filled with books detailing every existence a person could have. Thrust into this mysterious way station is Nora Seed, a depressed and desperate woman estranged from her family and friends. Nora has just lost her job, and her cat is dead. Believing she has no reason to go on, she writes a farewell note and takes an overdose of antidepressants. But instead of waking up in heaven, hell, or eternal nothingness, she finds herself in a library filled with books that offer her a chance to experience an infinite number of new lives. Guided by Mrs. Elm, her former school librarian, she can pull a book from the shelf and enter a new existence—as a country pub owner with her ex-boyfriend, as a researcher on an Arctic island, as a rock star singing in stadiums full of screaming fans. But how will she know which life will make her happy? This book isn't heavy on hows; you won’t need an advanced degree in quantum physics or string theory to follow its simple yet fantastical logic. Predicting the path Nora will ultimately choose isn’t difficult, either. Haig treats the subject of suicide with a light touch, and the book’s playful tone will be welcome to readers who like their fantasies sweet if a little too forgettable.

A whimsical fantasy about learning what’s important in life.

Pub Date: Sept. 29, 2020

ISBN: 978-0-52-555947-4

Page Count: 336

Publisher: Viking

Review Posted Online: July 14, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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