by Edward Conlon ‧ RELEASE DATE: April 12, 2004
Crackling sharp—and utterly compelling.
A street-smart and hilarious memoir from Conlon, who takes readers behind the squad-room door to reveal the inner life of New York’s Finest.
The author isn’t exactly a typical policeman: he graduated from Harvard, and he published a “Cop’s Diary” under a pseudonym in The New Yorker. But he really does have “blue blood,” flowing from his great-grandfather, a crooked cop who was a Tammany Hall bagman, through his uncle, a veteran NYPD officer, and his father, who served in the NYPD briefly before joining the FBI. Conlon’s odyssey runs from early euphoria (graduation from Police Academy, work as a housing division cop in the South Bronx) through disillusionment (clashes with new superiors at a Street Narcotics Enforcement Unit he had come to cherish) to eventual triumph (promotion to the Detective Bureau). His personal trajectory almost exactly encompasses the Giuliani years, when New Yorkers’ response to the police department careened from acclaim for crime reduction to anger over the Louima and Diallo cases, ending with gratitude again in the wake of the World Trade Center attack. Although the extensive descriptions of stakeouts could have been pruned, it’s unlikely that anyone will soon provide a more literate view of a police precinct: “good-hearted if sometimes misguided, bound by duty and tradition and semi-private heartbreak.” Conlon’s prose, buffed to a high sheen, mixes the rich and rowdy dialogue of police and “perps” with department lore about legends like Eddie Egan and Frank Serpico, literary allusions, and overviews of daily routine that bristle with sharp observation. (“Junkies, coming down, can go into a whole-body cramp, and have hands as stiff as lobster claws.”) It’s all here: wayward crackhead informants, the roughhouse camaraderie of police units, precinct pettifogging (better to call in sick for “flu-like symptoms” than for colds), the haunting fear that a lying complaint by a civilian might derail a career, and, above all, the gravitational, 24/7 pull of “The Job” with its “wreckage and wonders.”
Crackling sharp—and utterly compelling.Pub Date: April 12, 2004
ISBN: 1-57322-266-6
Page Count: 512
Publisher: Riverhead
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Feb. 15, 2004
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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