Next book

BLUE BLOOD

Crackling sharp—and utterly compelling.

A street-smart and hilarious memoir from Conlon, who takes readers behind the squad-room door to reveal the inner life of New York’s Finest.

The author isn’t exactly a typical policeman: he graduated from Harvard, and he published a “Cop’s Diary” under a pseudonym in The New Yorker. But he really does have “blue blood,” flowing from his great-grandfather, a crooked cop who was a Tammany Hall bagman, through his uncle, a veteran NYPD officer, and his father, who served in the NYPD briefly before joining the FBI. Conlon’s odyssey runs from early euphoria (graduation from Police Academy, work as a housing division cop in the South Bronx) through disillusionment (clashes with new superiors at a Street Narcotics Enforcement Unit he had come to cherish) to eventual triumph (promotion to the Detective Bureau). His personal trajectory almost exactly encompasses the Giuliani years, when New Yorkers’ response to the police department careened from acclaim for crime reduction to anger over the Louima and Diallo cases, ending with gratitude again in the wake of the World Trade Center attack. Although the extensive descriptions of stakeouts could have been pruned, it’s unlikely that anyone will soon provide a more literate view of a police precinct: “good-hearted if sometimes misguided, bound by duty and tradition and semi-private heartbreak.” Conlon’s prose, buffed to a high sheen, mixes the rich and rowdy dialogue of police and “perps” with department lore about legends like Eddie Egan and Frank Serpico, literary allusions, and overviews of daily routine that bristle with sharp observation. (“Junkies, coming down, can go into a whole-body cramp, and have hands as stiff as lobster claws.”) It’s all here: wayward crackhead informants, the roughhouse camaraderie of police units, precinct pettifogging (better to call in sick for “flu-like symptoms” than for colds), the haunting fear that a lying complaint by a civilian might derail a career, and, above all, the gravitational, 24/7 pull of “The Job” with its “wreckage and wonders.”

Crackling sharp—and utterly compelling.

Pub Date: April 12, 2004

ISBN: 1-57322-266-6

Page Count: 512

Publisher: Riverhead

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Feb. 15, 2004

Next book

NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

Awards & Accolades

Likes

  • Readers Vote
  • 95


Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating

  • Kirkus Reviews'
    Best Books Of 2016


  • New York Times Bestseller


  • Pulitzer Prize Finalist

Next book

WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

Awards & Accolades

Likes

  • Readers Vote
  • 95


Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating

  • Kirkus Reviews'
    Best Books Of 2016


  • New York Times Bestseller


  • Pulitzer Prize Finalist

A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

Close Quickview