A worthy addition to the lurid world of the Five Families, if not quite an offer you can’t refuse.
Don Corleone’s family navigates opportunity and treachery as Prohibition comes to a close in New York.
Playing around in the Godfather universe is a tightrope act. The original novel is a pulpy, popular synthesis of influences, while its film adaptation is a timeless classic. The video games are slushy Grand Theft Auto knock-offs, and Mark Winegardner’s sequels are labyrinthine marathons with epic casts. This time, the franchise falls back on more workmanlike writer Falco (Saint John of the Five Boroughs, 2009, etc.), who reels the story back to its roots through moments resurrected from unproduced scripts by Mario Puzo. It’s 1933, and the Don is at the height of his power. Peter Clemenza is Vito’s capo and Genco Abbandando remains consigliere. Michael and Fredo squabble underfoot but it’s Sonny’s explosive temper that film fans will recognize. Meanwhile, dutiful college student Tom Hagen is having a harmless fling—that turns out to be not so harmless when psychotic Luca Brasi decides to kill Tom for messing with his broad. In other boroughs, Giuseppe Mariposa conspires with Emilio Barzini and Phillip Tattaglia in his slow tango with the Corleones, while a pair of Irish brothers adds a new element to this dangerous mix. What works well is Falco’s depiction of Vito Corleone, which captures both the cool reserve of young Vito and the insight he demonstrates as Don. “To understand the truth of things,” he cautions Sonny, “you have to judge both the man and the circumstances. You have to use both your brains and your heart. That’s what it’s like in a world where men lie as a matter of course—and there is no other kind of world, Santino, at least not here on earth.” More obsessive fans also get a reveal about a member of the Don’s family, as well as a juicy unveiling of Luca Brasi’s back story pulled from The Godfather.
A worthy addition to the lurid world of the Five Families, if not quite an offer you can’t refuse.Pub Date: May 8, 2012
ISBN: 978-0-446-57462-4
Page Count: 448
Publisher: Grand Central Publishing
Review Posted Online: Feb. 22, 2012
Kirkus Reviews Issue: March 1, 2012
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.
Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.
In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.Pub Date: May 6, 2014
ISBN: 978-1-4767-4658-6
Page Count: 448
Publisher: Scribner
Review Posted Online: March 5, 2014
Kirkus Reviews Issue: March 15, 2014
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