A sweet tale celebrating the joys of both personal and communal togetherness.
An interspecies lovefest starring two urban strays.
Depicting his anthropomorphic animals (except Pigeon) in ragged clothes, Hemingway pairs an anti-social stray cat who lives in an abandoned lot with a small gray bird who hatches in his lap from a fallen egg. Once Pigeon learns to fly, she begins bringing him paint, crayons, and other gifts…but then one day fails to come back. Cat leaves the lot to search for her—chalking messages on walls, sharing fish heads with other strays, and, in time, finding the city a more welcoming place than he had imagined. And, when at last he comes back, he discovers that not only has Pigeon returned, but she has brought with her a host of animal friends who have turned the entire lot into a verdant, brightly decorated public art space with a round table at the center where all can celebrate together. As if the storyline isn’t cozy enough on its own, Hemingway sets it in a city as shiny and squeaky clean as can be, festooned with hearts, rainbows, and smiley faces. Even more adorably, Pigeon speaks entirely in emoticons and rebuses. These are fairly easy to follow, but, perhaps in a concession to less versatile readers (parents, for instance), Pigeon’s longest speech—in which she explains to Cat that she was injured in a thunderstorm and what she has been up to since—comes with a translation. (This book was reviewed digitally.)
A sweet tale celebrating the joys of both personal and communal togetherness. (Picture book. 6-8)Pub Date: June 21, 2022
ISBN: 978-0-316-31125-0
Page Count: 40
Publisher: Christy Ottaviano Books
Review Posted Online: March 29, 2022
Kirkus Reviews Issue: April 15, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Inspiration, shrink wrapped.
From an artist, poet, and Instagram celebrity, a pep talk for all who question where a new road might lead.
Opening by asking readers, “Have you ever wanted to go in a different direction,” the unnamed narrator describes having such a feeling and then witnessing the appearance of a new road “almost as if it were magic.” “Where do you lead?” the narrator asks. The Road’s twice-iterated response—“Be a leader and find out”—bookends a dialogue in which a traveler’s anxieties are answered by platitudes. “What if I fall?” worries the narrator in a stylized, faux hand-lettered type Wade’s Instagram followers will recognize. The Road’s dialogue and the narration are set in a chunky, sans-serif type with no quotation marks, so the one flows into the other confusingly. “Everyone falls at some point, said the Road. / But I will always be there when you land.” Narrator: “What if the world around us is filled with hate?” Road: “Lead it to love.” Narrator: “What if I feel stuck?” Road: “Keep going.” De Moyencourt illustrates this colloquy with luminous scenes of a small, brown-skinned child, face turned away from viewers so all they see is a mop of blond curls. The child steps into an urban mural, walks along a winding country road through broad rural landscapes and scary woods, climbs a rugged metaphorical mountain, then comes to stand at last, Little Prince–like, on a tiny blue and green planet. Wade’s closing claim that her message isn’t meant just for children is likely superfluous…in fact, forget the just.
Inspiration, shrink wrapped. (Picture book. 6-8, adult)Pub Date: March 23, 2021
ISBN: 978-1-250-26949-2
Page Count: 40
Publisher: Feiwel & Friends
Review Posted Online: April 7, 2021
BOOK REVIEW
A close encounter of the best kind.
Left behind when the space bus departs, a child discovers that the moon isn’t as lifeless as it looks.
While the rest of the space-suited class follows the teacher like ducklings, one laggard carrying crayons and a sketchbook sits down to draw our home planet floating overhead, falls asleep, and wakes to see the bus zooming off. The bright yellow bus, the gaggle of playful field-trippers, and even the dull gray boulders strewn over the equally dull gray lunar surface have a rounded solidity suggestive of Plasticine models in Hare’s wordless but cinematic scenes…as do the rubbery, one-eyed, dull gray creatures (think: those stress-busting dolls with ears that pop out when squeezed) that emerge from the regolith. The mutual shock lasts but a moment before the lunarians eagerly grab the proffered crayons to brighten the bland gray setting with silly designs. The creatures dive into the dust when the bus swoops back down but pop up to exchange goodbye waves with the errant child, who turns out to be an olive-skinned kid with a mop of brown hair last seen drawing one of their new friends with the one crayon—gray, of course—left in the box. Body language is expressive enough in this debut outing to make a verbal narrative superfluous.
A close encounter of the best kind. (Picture book. 6-8)Pub Date: May 14, 2019
ISBN: 978-0-8234-4253-9
Page Count: 40
Publisher: Margaret Ferguson/Holiday House
Review Posted Online: Feb. 5, 2019
Kirkus Reviews Issue: March 1, 2019
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