Three fine and time-honored tales from Lear: ``The New Vestments,'' with its rollicking mob of ``beasticles, birdlings, and boys'' who make short work of the gentleman's farcical attire; ``The Owl and the Pussycat,'' in which the elegant fowl and the beautiful puss take their wedding vows under the bong tree, ministered by a turkey; and ``The Pelican Chorus,'' the bittersweet story of a young pelican who leaves family and home on the banks of the River Nile for the arms of the crane king. There is little unsaid, or unthought, about Lear's smart and layered nonsense verse: When his fancy is on-line, the lark's on the wing, snail on the thorn, and all's well with children's lore. Marcellino's watercolors catch the mood of each piece: bright and riotous, loopily tender, ancient and two-edged, though—a temperamental quibble—he takes the sting out of the third tale by concocting a return of the daughter; it isn't hinted at in the verse and seems to undercut the ambiguity of the story. Lear never stales and Marcellino's luxurious productions add another fanciful dimension to such oddball entertainment. (Picture book/poetry. 6-9)
Pub Date: June 1, 1995
ISBN: 0-06-205062-1
Page Count: 40
Publisher: HarperCollins
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: June 1, 1995
Categories: CHILDREN'S POETRY
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BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Iffy art cramps this 25th-anniversary reissue of the joyful title poem from Greenfield’s first collection (1978), illustrated by the Dillons. As timeless as ever, the poem celebrates everything a child loves, from kissing Mama’s warm, soft arm to listening to a cousin from the South, “ ’cause every word he says / just kind of slides out of his mouth.” “I love a lot of things / a whole lot of things,” the narrator concludes, “And honey, / I love ME, too.” The African-American child in the pictures sports an updated hairstyle and a big, infectious grin—but even younger viewers will notice that the spray of cool water that supposedly “stings my stomach” isn’t aimed there, and that a comforter on the child’s bed changes patterns between pages. More problematic, though, is a dropped doll that suddenly acquires a horrified expression that makes it look disturbingly like a live baby, and the cutesy winged fairy that hovers over the sleeping child in the final scene. The poem deserves better. (Picture book/poetry. 6-8)
Pub Date: Jan. 1, 2003
ISBN: 0-06-009123-1
Page Count: 32
Publisher: Amistad/HarperCollins
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Nov. 15, 2002
Categories: CHILDREN'S POETRY
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A middle-aged woman sidelined by a horrific accident finds even sharper pains waiting on the other side of her recuperation in this expert nightmare by Hardy, familiar to many readers as Megan Hart, author of All the Secrets We Keep (2017), etc.
Five months ago, while she was on her way to the hospital with an ailing gallbladder, Diana Sparrow’s car hit a deer on a rural Pennsylvania road. When she awoke, she was minus her gallbladder, two working collarbones (and therefore two functioning arms), and her memory. During a recovery that would’ve been impossible without the constant ministrations of Harriett Richmond, the mother-in-law who’s the real reason Diana married her husband, Jonathan, Diana’s discovered that Jonathan has been cheating on her with her childhood friend Valerie Delagatti. Divorce is out of the question: Diana’s grown used to the pampered lifestyle the prenup she’d signed would snatch away from her. Every day is filled with torments. She slips and falls in a pool of wine on her kitchen floor she’s sure she didn’t spill herself. At the emergency room, her credit card and debit card are declined. She feels that she hates oppressively solicitous Harriett but has no idea why. Her sessions with her psychiatrist fail to heal her rage at her adoptive mother, an addict who abandoned her then returned only to disappear again and die an ugly death. Even worse, her attempts to recover her lost memory lead to an excruciatingly paced series of revelations. Val says Diana asked her to seduce Jonathan. Diana realizes that Cole, a fellow student in her watercolor class, isn’t the stranger she’d thought he was. Where can this maze of deceptions possibly end?
One of those rare thrillers whose answers are even more scarifying than its mysteries.Pub Date: Nov. 10, 2020
ISBN: 978-1-64385-470-0
Page Count: 310
Publisher: Crooked Lane
Review Posted Online: Aug. 19, 2020
Kirkus Reviews Issue: Sept. 1, 2020
Categories: GENERAL MYSTERY & DETECTIVE | SUSPENSE | SUSPENSE | THRILLER | GENERAL & DOMESTIC THRILLER | GENERAL THRILLER & SUSPENSE
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Two venerable contributors have teamed up to make a small collection of poetry for beginning readers. The I Can Read series has usually produced fine volumes that new young readers can actually read themselves; this has the added attraction of introducing various kinds of verse forms, both rhymed and unrhymed, in very short bursts. The contents are divided by season: Eleven poems each for “Winter Bits” and “Spring Things” and nine poems each for “Summer Thoughts” and “The Feel of Fall.” Not all are completely successful, but most capture that essence of perception that is good poetry. “The crickets / fill the night / with their voices— / It is like / a message / in another language / spoken to a part / of me / who hasn’t / happened yet.” That’s “The Crickets” in its entirety. Although the city is mentioned in some verses, the imagery is decidedly rural if not downright rustic, with wooden fences, dirt roads, and meadows in evidence. Children wear helmets to ride their bikes, and carry backpacks, but the pictures are timeless, if in country mode. Blegvad (First Friends, not reviewed, etc.) is a master of the vibrant line and telling detail—every leaf blows in the wind just so; every child has his or her own specific energy or repose. A small delight. (Poetry. 6-9)
Pub Date: March 1, 2002
ISBN: 0-06-026698-8
Page Count: 64
Publisher: HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Jan. 1, 2002
Categories: CHILDREN'S POETRY
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