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MESMER'S DISCIPLE

History, action, the supernatural and intelligent discourse; this novel holds something for everyone.

Set in 1840s St. Louis and New York, this historical supernatural thriller pits Alvord Rawn, a vigilante-style New York cop with anger management issues, against Count Abendroth, a demonic mesmerist who has painter Charles Deas in his thrall.

Deas, a historical figure famous for frontier paintings, mysteriously went insane after becoming involved in mesmerism while in St. Louis. He returned to New York and in 1848 was committed to the Bloomingdale asylum. Swanson skillfully weaves the artist’s tale into his debut novel. Police Capt. Alvord Rawn is dismissed from the New York City Police Department for his vengeful, ruthless massacre of an Irish gang. He takes a job as a private detective working for Deas’ mother, who fears her son is losing his mind. Mrs. Deas pays Rawn well to retrieve Deas from St. Louis—by force if necessary. Swanson gives the work a 19th century feel by salting it with historical detail and imbuing characters with the manners and attitudes of the era. He also makes use of 19th century prose style to mimic period writers: “Stout was the truncheon in his belt, hickory in origin and delightfully wieldy.” This approach works, but when Swanson uses modern idioms, it jars; e.g., “shit like this”; “Damn straight I did”; “smoked his competition.” Along the way, Rawn teams up with Finnbar Fagan, a would-be Irish writer, and Marcel Durand, a true frontiersman. Both are reliable allies and thinking men, allowing Swanson to explore various ideas concerning the nature of honor, justice, race relations and art in 19th century America. As the story progresses, Deas partners with Rawn and company to bring down Abendroth as it becomes increasingly obvious the count is evil, tapping into a demonic well for his powers. Thoughtful and action-packed, with a final showdown that is both exciting and gratifying—a fine first novel.

History, action, the supernatural and intelligent discourse; this novel holds something for everyone.

Pub Date: Dec. 11, 2012

ISBN: 978-0988537064

Page Count: 386

Publisher: Riverrun Bookstore Inc

Review Posted Online: Feb. 22, 2014

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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