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MEMOIRS

A TWENTIETH-CENTURY JOURNEY IN SCIENCE AND POLITICS

This memoir will not silence Teller’s many critics; indeed, it will provide them further ammunition. Still, a useful, if (of...

“Fear of science and technology, which have empowered humans since the beginning of history, is the height of folly”: so writes Teller, inventor of the H-bomb and reputed model for Stanley Kubrick’s Dr. Strangelove.

Now 93, Teller appears ready to forgive old foes like J. Robert Oppenheimer, who turns up at many points in this oddly engaging memoir. Not that he was wrong, he hastens to add, in not defending “Oppie” when the latter was dismissed from his nuclear-weapons research position as a security threat, having flirted with communism and having made, in Teller’s presence, odd references to governmental tyranny. He even forgives atom spy Klaus Fuchs for his treason, for, writes Teller, “from what I have seen of the competence of Soviet scientists, I have reason to believe that they could have produced the weapons independently, once they knew that an atomic bomb could be produced.” Teller’s overarching theme here is the politics of science, the application of political power to questions of technology, and he writes as an evident master of the game, basically untroubled by the moral implications of the weapons he developed—but convinced nevertheless that Harry Truman would have done better to explode an A-bomb over Tokyo Bay during the evening rush hour so that the Japanese could have witnessed its power and surrendered without loss of life. Though it will be disturbing to many readers, Teller’s narrative has many fine moments: he writes affectingly of his youth in a Hungary, and later Germany, in which anti-Semitism was on the rise, pays quiet homage to his beloved late wife, and even explains how he lost a foot in an accident involving a trolley car. (Terry Southern and Kubrick cruelly commemorated that loss by placing their Dr. Strangelove in a wheelchair.) But those fine moments are diminished somewhat by Teller’s snappish dismissals of those who question the ethics of modern science, and he closes by insisting that we moderns have nothing to fear from today’s bugbears such as genetically modified food, cloning, and nuclear power, all of which, he assures us, will lead to a brighter tomorrow.

This memoir will not silence Teller’s many critics; indeed, it will provide them further ammunition. Still, a useful, if (of course) self-serving, contribution to the history of science and the literature of the Cold War.

Pub Date: Nov. 1, 2001

ISBN: 0-7382-0532-X

Page Count: 592

Publisher: Perseus

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 1, 2001

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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BLACK BOY

A RECORD OF CHILDHOOD AND YOUTH

This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.

It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.

Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.

Pub Date: Feb. 28, 1945

ISBN: 0061130249

Page Count: 450

Publisher: N/A

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Feb. 1, 1945

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