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MIA

THE LIFE OF MIA FARROW

Uninspired life of the little-girl-lost actress, by the authors of Paul and Joanna, Brando, Loretta Young, Jane Wyman, etc., etc. Here's a book as shallow as any scissors-and-paste job, with as little fresh material. Heavy attention is paid to mother Maureen O'Sullivan, Tarzan's Jane in the Weismuller series, and father John Farrow, a writer and director (The Big Clock). Mother retired from films for several years to raise a very large family, made a splash on Broadway, was less successful on TV, where her gift of gab fell short opposite Hugh Downs on the first Today show. Papa Farrow instructed Mia never to take up acting, but after his death she began acting school, then off-Broadway (triumphing as Cecily in The Importance of Being Earnest), was ushered into 20th Century-Fox by Vivien Leigh, began making movies, and crashed into the public mind as Allison McKenzie in TV's hit series Peyton Place. Then she crashed into Frank Sinatra, later accepting his proposal despite their 29-year age split. (When the authors have Sinatra singing with ``trumpet player'' Tommy Dorsey, all hope fades.) Farrow's later big roles in Roman Polanski's Rosemary's Baby and as Daisy Buchanan in The Great Gatsby are covered skimpily and her excellence as Daisy brought heavily into question. Meanwhile, Sinatra had been replaced by AndrÇ Previn, with whom she had three children and began the adopting mania that, with Woody Allen's Satchel, has given her mÇnage a total of nine. Her ten years and nine pictures with Allen get shortchanged with fewer than 40 pages. Not in any sense a companion volume to Eric Lax's richly researched, intimate Woody Allen (p. 457). (Sixteen pages of b&w photographs—not seen.)

Pub Date: July 9, 1991

ISBN: 0-385-30446-3

Page Count: 272

Publisher: Delacorte

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 1991

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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