Captivating from cover to cover, readers will share in the author’s struggle and celebration of family.
Fontánez offers a tribute to his late father, Modesto Fontánez Rivera.
Set against the beauty and hardship of rural Puerto Rico, Fontánez’s memoir explores—via writings and images—his fraught relationship with a complex man. Fontánez recounts his father’s mental decline into dementia—which steals his father’s memory but yields a new connection with his son. Now a successful artist in New York, the author confronts his childhood fear that he was a disappointment to his father by digging through his childhood memories. He reinterprets the behaviors of a man whose love of parties and music seemed to eclipse his love of everything else, including his family. Realizing that Modesto, too, was an artist, Fontánez discovers someone who, struggling with a modest life and considerable responsibilities, found freedom through the one form of emotional expression available—music. Juxtaposing Modesto’s brash, irresponsible youth with the docile older man he becomes, Fontánez unpacks the cultural pressures that repress male emotions, which, in turn, drive family dynamics. An imposing presence in the life of his son, Modesto is seen alternately as a hero and a villain but always as a man of nuanced passions. Fontánez portrays this fluidity by blending elements of personal narrative, journal entries, poetry, photographs, and artwork inspired by his childhood in Puerto Rico. The resulting eclectic work is as beautiful and readable as it is memorable.
Captivating from cover to cover, readers will share in the author’s struggle and celebration of family.Pub Date: Oct. 21, 2022
ISBN: 978-0-9831891-4-5
Page Count: 268
Publisher: Exit Studio
Review Posted Online: Sept. 22, 2022
Review Program: Kirkus Indie
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...
The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.Pub Date: Sept. 13, 2011
ISBN: 978-0-8050-9261-5
Page Count: 256
Publisher: Metropolitan/Henry Holt
Review Posted Online: Aug. 10, 2011
Kirkus Reviews Issue: Sept. 1, 2011
A fun if overly flamboyant appreciation of a TV giant.
A biography of American late-night television’s biggest star.
Zehme, author of biographies of Frank Sinatra and Hugh Hefner, had a lifelong love of Tonight Show host Johnny Carson. In 1973, at age 15, Zehme was “already a full-blown Carson fanboy.” As a reporter for Rolling Stone, he tried unsuccessfully to secure an interview to coincide with Carson’s 1992 retirement after a 30-year run. In 2002, Zehme, now with Esquire, “gets extended face time” with the star for a piece to mark 10 years since Carson’s departure. Shortly after Carson’s death in 2005, Zehme began work on a biography. The task was overwhelming—“there was always more to be gleaned”—even before Zehme’s 2013 diagnosis of stage 4 colorectal cancer. He died in 2023, having finished only the first three-quarters of this biography. Thomas, a longtime Chicago arts reporter, has completed the book in time for Carson’s 2025 centenary. The result is an admiring work that nonetheless acknowledges the lows as well as the highs of Carson’s life—he had three divorces—and career, from his ill-fated 1955 variety program The Johnny Carson Show, to his 1957-62 stint as host of the ABC game show Who Do You Trust?, to his taking over The Tonight Show from Jack Paar in 1962. It’s easy to tell where Zehme left off and Thomas took over. The tone changes dramatically, from Zehme’s florid style to Thomas’s drier approach. Those florid passages, which make up most of the book, are baroque in the extreme, with lines like, “And so, like sun and moon and oxygen and ionosphere, Johnny Carson was always there, reliable and steadfast.” Despite the purple prose, the result is an entertaining look at not only a unique figure in 20th-century popular culture but also a bygone era in American television.
A fun if overly flamboyant appreciation of a TV giant.Pub Date: Nov. 5, 2024
ISBN: 9781451645279
Page Count: 336
Publisher: Simon & Schuster
Review Posted Online: Sept. 14, 2024
Kirkus Reviews Issue: Oct. 15, 2024
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