In an intimate glimpse, Coretta steps out from her husband’s shadow.
A glowing portrait of Martin Luther King Jr.’s widow by her sister.
The daughters of a lumber hauler in Alabama’s Black Belt region who was constantly harassed by white employers for his enterprising ways, Coretta and Edythe Scott were both educated at the Lincoln School, a white-run missionary boarding school, and later Antioch College, in Ohio. Embracing the tradition of Christian service instilled by those establishments, Coretta attempted to student teach in the Yellow Springs, Ohio, public-school system in 1950, despite protests by white parents. However, Antioch did not support her, delivering a bitter lesson in the deeply entrenched discrimination that pervaded even the North. A gifted soprano, she attended New England Conservatory in Boston on scholarship, where she met the Georgia-born King, then was a doctoral divinity student at Boston University. Impressed by her long, straight hair and evident intelligence, King sensed she would make the perfect wife. At the time, Coretta began her career as a successful singer, and from King’s first pastorship at Dexter Avenue Baptist Church in Montgomery, to his last at Ebenezer Baptist Church in Atlanta, Coretta performed intermittently on stage. In 1965, she used a Freedom Concert tour to spread the message for civil-rights change. She was also committed to the antiwar group Women Strike for Peace, which attracted surveillance by the FBI. The author speculates about Coretta’s influence on King’s ultimate resistance to the Vietnam War, writing that the couple “shared vigorous and robust conversation about the issues they faced.” Steely, cerebral and unemotional, Bagley’s portrait reveals a remarkable character forged by harsh reality and unimaginable trial.
In an intimate glimpse, Coretta steps out from her husband’s shadow.Pub Date: April 27, 2012
ISBN: 978-0-8173-1765-2
Page Count: 360
Publisher: Univ. of Alabama
Review Posted Online: March 18, 2012
Kirkus Reviews Issue: April 1, 2012
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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